Przeglądaj Multicultural Shakespeare: Translation, Appropriation and Performance według tytułu
Wyświetlanie pozycji 154-173 z 311
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Leaving Readers and Writers in Peace: Translation of Religious Terms of Shakespeare’s "Coriolanus" into Arabic considering Venuti’s Invisibility
(Wydawnictwo Uniwersytetu Łódzkiego, 2020-06-30)This paper is an endeavour to examine the translation of religious terms (praying and oath words) in Shakespeare’s Coriolanus pertaining to two translations by Muhammad al-Sibā‘ī (1881-1931) and Jabra Ibrahim Jabra (1920-1994) ... -
Looking Back at the Audience: The RSC & The Wooster Group’s Troilus and Cressida (2012)
(Lodz University Press, 2014-12-30)The controversy around the RSC & The Wooster Group’s Troilus and Cressida (Stratford-upon-Avon 2012) among the spectators and critics in Britain revealed significant differences between the UK and the US patterns of staging, ... -
Looking for Mr. Shakespeare: Four Films in Search of a Hollywood Identity; or the Hollywood Four
(Łódź University Press, 2004) -
Macbeth in Nineteenth-Century Bengal: A Case of Conflicted Indigenization
(Lodz University Press, 2013-12-31)Adaptation, a complex bilingual and bicultural process, is further problematised in a colonial scenario inflected by burgeoning nationalism and imperialist counter-oppression. Nagendranath Bose’s Karnabir (1884/85), the ... -
"Macbeth" in Japanese Culture
(Łódź University Press, 2004) -
“Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan
(Wydawnictwo Uniwersytetu Łódzkiego, 2019-06-30)In this interview acclaimed director Declan Donnellan, co-founder of the company Cheek by Jowl, discusses his experience of performing Shakespeare in Europe and the attendant themes of cultural difference, language and ... -
“The Many Languages of the Avant-Garde”: In conversation with Grzegorz Bral of Teatr Pieśń Kozła (Song of the Goat Theatre)
(Lodz University Press, 2014-12-30)How to theorise and review avant-garde Shakespeare? Which theoretical paradigms should be applied when Shakespearean productions are multicultural and yet come from a specific locale? These and other many questions ... -
Māori take on Shakespeare: The Merchant of Venice in Aotearoa/New Zealand
(Lodz University Press, 2011-11-30) -
The Medievalism of Emotions in King Lear
(Wydawnictwo Uniwersytetu Łódzkiego, 2021-06-30)King Lear exemplifies two cultures of feeling, the medieval and the early modern one. Even though the humoral theory lay at the heart of the medieval and the early modern understanding of emotions, there was a sudden change ... -
The Melbourne Shakespeare Society: Bardolatry, Resistance and Fellowship
(Lodz University Press, 2011-11-30) -
The Merchant in Venice: Shylock’s Unheimlich Return
(Lodz University Press, 2017-10-07)The first decades of the new millennium have seen an odd return to origins in Shakespeare studies. The Merchant in Venice, a site-specific theatrical production realized during the 500th anniversary year of the “original” ... -
Modernity and Tradition in Shakespeare’s Asianization
(Lodz University Press, 2013-12-31)Do Marjorie Garber’s premises that Shakespeare makes modern culture and that modern culture makes Shakespeare apply to his reception in Asian contexts? Shakespeare’s Asianization, namely adaptation of certain Shakespeare ... -
The Moor for the Malayali Masses: A Study of Othello in Kathaprasangam
(Lodz University Press, 2016-04-22)Shakespeare, undoubtedly, has been one of the most important Western influences on Malayalam literature. His works have inspired themes of classical art forms like kathakali and popular art forms like kathaprasangam. A ... -
The Moor’s Political Colour: Race and Othello in Poland
(Wydawnictwo Uniwersytetu Łódzkiego, 2020-12-30)This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation ... -
The Myth of Total Shakespeare: Filmic Adaptation and Posthuman Collaboration
(Wydawnictwo Uniwersytetu Łódzkiego, 2021-12-30)The convergence of textuality and multimedia in the twenty-first century signals a profound shift in early modern scholarship as Shakespeare’s text is no longer separable from the diffuse presence of Shakespeare on film. ... -
Naked Villany: The Fatal Attraction of Richard III and Donald Trump
(Wydawnictwo Uniwersytetu Łódzkiego, 2022-12-14)Although no longer American President, Donald Trump still manages to upstage the current administration. An explanation for his “sinister aesthetics”, to use Joel Elliot Slotkin’s concept, can be seemingly found in developing ... -
National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare
(De Gruyter Open, 2016-04-22)This essay contextualises Shakespeare as product of a field of forces encapsulating national identity and relative cultural status. It begins by historicising the production of national poets in Romantic and Nationalist ... -
“No beast so fierce but knows some touch of pity”: Compassion and the Nonhuman in Richard III
(Wydawnictwo Uniwersytetu Łódzkiego, 2021-12-30)When Lady Anne accuses Richard of cruelty in the wooing scene of act one in Richard III, she claims that even the fiercest beast will demonstrate some degree of pity. Her attempt to categorize Richard as somehow both less ... -
Noh Creation of Shakespeare
(Lodz University Press, 2016-12-30)This article contains select comments and reviews on Noh Hamlet and Noh Othello in English and Noh King Lear in Japanese. The scripts from these performances were arranged based on Shakespeare’s originals and directed on ... -
“Nor doth this wood lack worlds of company:” the American Performance of Shakespeare and the White-Washing of Political Geography
(Wydawnictwo Uniwersytetu Łódzkiego, 2022-12-30)The paper examines the spatial overlap between the disenfranchisement of African Americans and the performance of William Shakespeare’s plays in the United States. In America, William Shakespeare seems to function as a ...