dc.contributor.author | Nowicka-Comber, Lidia | |
dc.date.accessioned | 2013-06-24T10:34:21Z | |
dc.date.available | 2013-06-24T10:34:21Z | |
dc.date.issued | 2009 | |
dc.identifier.issn | 1733-4802 | |
dc.identifier.uri | http://hdl.handle.net/11089/2200 | |
dc.description.abstract | The aim of this article is to discuss Davor Špišić’s play Dobrodošli u rat. By means of allusion to the genre of science fiction and to George Miller’s cinematographic creation Mad Max, the author defines the shape of the reality around him, which constitutes a sort of fulfilled apocalypse. Through references to the media and to the phenomena of popular culture, Špišić tells of a world in a critical state, experiencing a civilisational catastrophe. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Piktor | pl_PL |
dc.relation.ispartofseries | Południowosłowiańskie Zeszyty Naukowe, Język – Literatura – Kultura;Nr 6, (2009) | |
dc.title | „Dobrodošli u rat!” Davora Špišicia. Apokalipsa w dobie kryzysu | pl_PL |
dc.title.alternative | Davor Špišić’s ‘Welcome to the war!’. Apocalypse in the time of crisis | pl_PL |
dc.type | Article | pl_PL |