http://hdl.handle.net/11089/10376 2026-04-06T22:47:15Z 2026-04-06T22:47:15Z Kowalewicz, Kazimierz http://hdl.handle.net/11089/10392 2018-02-01T11:19:08Z 1994-01-01T00:00:00Z

O czytaniu tekstów krytycznych Kowalewicz, Kazimierz The number of texts dealing with the reception of art has been growing significantly in recent years. The reading of reviews or critical texts may be of great importance for shaping individual acts of reception. An attempt was made in this article to compile a list of possible „roles” of the critic (approaches) form the receiver’s perspective. Such a list built on the basis of intuition and observation, may be helpful to some extent in future studies on the social functioning of criticism.

1994-01-01T00:00:00Z Korporowicz, Leszek http://hdl.handle.net/11089/10390 2018-02-01T11:19:09Z 1994-01-01T00:00:00Z

Z perspektywy społecznej psychologii recepcji Korporowicz, Leszek Everyday practices of perception are popular not only among common recipients of the arts. Even complex analytical procedures can be stereotyped and repeated. On the other hand many amateur practices of reception can offer unexpected and inspired experiences. It is important to ask the question of to what extent everyday practices of perception act as symptoms of competence in culture and why they become obstacles in the perception and creation of symbolic culture. Practices of perception may be chaotic, unorganized but as forms of action they must have the intent of achieving some goal. The dynamic of such an action is rooted in the core of personality.

1994-01-01T00:00:00Z Gałuszka, Mieczysław Kowalewicz, Kazimierz http://hdl.handle.net/11089/10389 2018-02-01T11:19:14Z 1994-01-01T00:00:00Z

Nowa muzyka i jej odbiorcy. Słuchając utworu B. Schäffera pt. Quattro movimenti Gałuszka, Mieczysław; Kowalewicz, Kazimierz The presented text is an attempt to introduce the study of the reception of certain concepts borrowed from phenomenological sociology. For this purpose 128 „protocols of reception” were analyzed, and two styles of reception were distinguished (M. Głowiński). The first one was defined as a non-literary reception style, and the second one as the opposing was called a literary reception style. Moreover some characteristic ways of listening were distinguished within each of this two styles. Initially, a reference was made in the analysis to the concept of musical competence in its semiotic sense (G. Stefani). However, at a certain moment it appeared that it would be useful to refer to the perspective of phenomenological sociology, which seaks to explicate social rules of common sense knowledge. As emotional experiencing of music was clearly visible in all protocols an important role could be played by determining the „methods” of ascribing emotional characteristics and showing how emotions are generated. In this way, a semiotic perception of competence should be enriched by new theoretical - analytical dimensions.

1994-01-01T00:00:00Z Gałuszka, Mieczysław http://hdl.handle.net/11089/10388 2018-02-01T11:19:13Z 1994-01-01T00:00:00Z

Serial telewizyjny i powieść: przykład recepcji bohaterów "Quo vadis" Gałuszka, Mieczysław This article discusses the results of an analysis of the common reception of heroes from a TV serial based on H. Sienkiewicz’s novel. The point of departure for the analysis is the assumption that a viewer’s perception is based on familiarity with conventions and codes characteristic for the genre of the serial. The main thematic and axiological framework is H. Sienkiewicz’s book. The survey in question was carried out in two stages among 155 students. The respondents written statements provided a basic for a qualitative analysis. After watching the serial there could be observed a change in the stereotypical perception of Neron. From an emperor of the „tyrannical and authocratic” type he became a „mentally ill artist”. The serial allowed viewers to „assimilate” this figure in accordance with the convention of this geure. Petronius was interpreted in a way which corresponded to the intentions of H. Sienkiewicz and 80% of the respondents considered him a model worth imitating. The viewers did not find acceptable the characters of Lydia and Vinitius in the serial. The attempt to make the figures more modern, which the makers of the serial hoped would place them closer to a viewer, did not fulfill the expectations of the viewers. The makers of the film failed to convey meanings equivalent in relation to the novel by means of serial conventions known to the viewer.

1994-01-01T00:00:00Z