HISTORIA LITERATURY http://hdl.handle.net/11089/11079 2026-04-06T17:19:27Z 2026-04-06T17:19:27Z Kuczyński, Krzysztof A. http://hdl.handle.net/11089/11100 2018-02-01T11:19:32Z 1981-01-01T00:00:00Z

Klaus Staemmler. Tłumacz i popularyzator literatury polskiej w Republice Federalnej Niemiec Kuczyński, Krzysztof A. Der Artikel dokumentiert Klaus Staemmlers Verdienst um die Verbreitung der polnischen Literatur in der Bundesrepublik Deutschland, eines der hervorragendsten Übersetzer in der Geschichte der bisherigen polnisch-deutschen Beziehungen. Klaus Staemmler hat zahlreiche Prosawerke der zeitgenössischen Literatur ins Polnische übertragen, u.a. von Jarosław Iwaszkiewicz, Stanislaw Lem und Jerzy Wittlin. Er ist Begründer und Herausgeber der viel beachteten Serie Bibliotheca Polonica, in deren Rahmen bedeutende Werke der Gegenwart erscheinen. Hingewiesen wurde auf die ungewöhnliche Meisterschaft seiner Übersetzungen als auch auf seinen festen Entschluß, dem Leser in der BRD nur diese polnischen Schriftsteller zu präsentieren, die eindeutig den Sozialismus und die Kulturpolitik in der VR Polen akzeptieren. Der Aufsatz enthält auch vollständige Liste seiner Übersetzungen (in der Buchform), die in den Jahren 1958—1978 herausgegeben worden sind.

1981-01-01T00:00:00Z Brzozowski, Jacek http://hdl.handle.net/11089/11099 2018-02-01T11:19:33Z 1981-01-01T00:00:00Z

Szkic do analizy tematycznej twórczości Tadeusza Różewicza Brzozowski, Jacek When analyzing Rôzewicz's works — using the category of motif and that of theme as a set of motifs materialized in an object — one can state that the author is preoccupied with two successive themes: that of Deluge and that of Inferno. The former is to be regarded as a literary transformation of the war experience and at the same time as an attempt at a rebuilding of thę post-apocalyptic world (the motifs of: death arid deformation of the body, world devoid of values, purifying function of the material and bodily elements — a kind of catharsis). As in the myths about the Flood a coexistence of the motifs belonging both to the tragic and the optimistic visions can be noticed. The latter theme — which is a literary picture of the present life — seems to be a materialization of two motifs only: 1) wbrld devoid of values, and 2) grotesque deformation of the body. The shift of the Deluge theme to the Inferno theme finds its expression in the materialization of the optimistic motif in the tragic vision, as well as in a change of viewpoint of the speaking subject: formerly he was seeking to identify himself with the world, now he feels compelled to accept the identity. The material and bodily element, which originally was considered beneficial, now becomes grotesque and evil.

1981-01-01T00:00:00Z Parzyjagła, Bolesław http://hdl.handle.net/11089/11098 2018-02-01T11:19:32Z 1981-01-01T00:00:00Z

Czas, przestrzeń, dramatis personae w Próchnie Wacława Berenta. O nowatorstwie powieści Parzyjagła, Bolesław The specific treatment of time, space, and of characters in W. Berent's Próchno permits to consider the novel as a landmark in the history of p ostm o d e rn is ts novel. Time as the main element of the composition of the novel is the factor shaping the reader's viewpoint — through an extremely skillful employment of the forms creating an illusion of the present. The space where the events take place is confined to three symbolic spheres: the street, the café, and the flat. The stre e t is regarded as alien to the characters in the novel — as opposed to the café or the flat — isolated places unspoiled by the crowd. The final discussion — which leads the characters to self-annihilation — takes place in the isolated space of an apartment. Not all the characters in the novel a re afflicted with the sense of futility resulting from the „inability to create". The Nietzschean philosophy, as formulated by Turkuł — the playwright seems to be a source of energy enabling to overcome one's uselessness and the atmosphere of inertia. In his novel Berent gave each character a chance to speak, uniting all the utterances in one great polyphonic chorus.

1981-01-01T00:00:00Z Ratajska, Krystyna http://hdl.handle.net/11089/11096 2018-02-01T11:19:33Z 1981-01-01T00:00:00Z

Koncepcja filomatyzmu w latach osiemdziesiątych i dziewięćdziesiątych XIX wieku Ratajska, Krystyna The paper presents the reception of the Wilno students' movement by the „Warsaw positivists", who formed their own conception of the objectives and activities of the Wilno organization, based on the sources available in th eir time. The conception differed from the patriotic legend functioning in the social conscioussness, which included the movement under discussion to the tradition of national struggle for independence. The positivists maintained th a t the Wilno Univers ity organization had been of non-political character. Therefore, both in their studies regarding the- origins of the organization and in their characterization of the objectives of the Wilno students' activities the positivists indicated chiefly those values which could be included in the positivistic legalism. They emphasized the students' interest in the social issues, their eagerness for self-improvement, and their belief in gradual remodelling of the social conscioussness. The positivists — who believed in political realism — neglected the reasons of the secrecy of the Wilno oi'ganization, and they belittled the role of the movement and its consequences. Their opinions illustrated the tendency to demythicize the „national ma r tyrdom''. This attitude was the expression of opposition to the national legend and also to the opinions contained in Nowosilcow's report, and the judgements of some Russian historians who shared his attitude. While approving of the movement — in accordance with the spirit of the epoch the positivists at the same time aimed at shaping a model that could be materialized in the sphere of the current social experience. They created a model member of the Wilno^ secret organization, who would realize the principles of the positivistic pedagogics, as well as those of the ethics which was a continuation of the Enlightenment theories. The p attern had two aspects, according to whether it was formulated by conservatists or liberals. It, was Bolesław Prus who suggested the most coherent conception of the movement, after J. Kallenbach had edited Adam Mickiewicz's Unknown Works (1817— 1823). In the essay The Poet as the Nation's Teacher, published in 1910, Prus emphasized mainly the utilitarian character of the movement. Praca ta jes t fragmentem większej catości poświęconej recepcji filomatyzmu w latach 1880—1925. W dalszych częściach niniejszej rozprawy omówione będą kolejno kształtujące się od końca XIX w. modele filomatyzmu, powstałe w określonych warunkach społeczno-politycznych i kulturowych. Znajdą się tam rozdziały poświęcone sposobowi ujmowania poszczególnych członków organizacji filomackiej, a także recepcji utworu, który uznano za program organizacji wileńskiej — Ody do młodości. Prezentowana praca ma za zadanie przedstawienie koncepcji filomatyzmu jako zespołu pewnych wartości, które dostrzegano w działalności grup młodzieży wileńskiej w omówionym okresie w kręgu opinii pozytywistycznej, wypowiadanej zarówno w badaniach naukowych, jak i publicystyce.

1981-01-01T00:00:00Z