http://hdl.handle.net/11089/53771 2026-04-05T17:48:19Z 2026-04-05T17:48:19Z Blanco, Xavier García Pérez, Rafael http://hdl.handle.net/11089/53784 2024-11-28T02:23:50Z 2024-10-30T00:00:00Z

Colocaciones atenuadoras y verbos paramétricos en el francés y el español antiguos. Estudio contrastivo Blanco, Xavier; García Pérez, Rafael This paper lists and describes names that function as reinforcements of negation when combined with parametric verbs in Old French and Medieval Spanish literary corpora. These names are referred to as “name(s) of minimum value” (Nmin_val). They are analyzed as anti-intensive collocatives whose bases correspond to the parametric verbs they pair with. Firstly, we define our object of study (1). The Nmin_val of Old French are then classified according to their features and syntactic-semantic classes (2.1). Afterwards, we describe the verbal bases and modifiers that sometimes pair with the varied Nmin_val (2.2). The classification process is repeated for Medieval Spanish, detailing their features and syntactic-semantic classes (3.1), and describing the verb bases and modifiers (3.2). In the conclusion (4), we highlight the similarities and differences between the two languages. Notably, Old French shows a greater use of clothing items as Nmin_val, while Medieval Spanish displays a marked preference for animal names. Additionally, we incorporate various nouns not included in previous works.; Presentamos y describimos los nombres que funcionan como refuerzo expresivo de la negación, en combinación con verbos paramétricos, en corpus literarios del francés antiguo y del español medieval. Los denominamos “nombres de valor mínimo” (Nval_mín). Analizamos estos sustantivos como colocativos anti-intensivos cuyas bases corresponderían a los verbos paramétricos con los que se combinan. Tras una definición de nuestro objeto de estudio (1), pasamos a clasificar los Nval_mín del antiguo francés según sus rasgos y sus clases sintáctico-semánticas (2.1). A continuación, precisamos cuáles son las bases verbales y los modificadores que, eventualmente, acompañan a los distintos Nval_mín (2.2). Sigue la clasificación según rasgos y clases sintáctico-semánticos para el español medieval (3.1), así como la descripción de bases y modificadores (3.2). En la conclusión (4), ponemos de relieve las similitudes y diferencias entre las dos lenguas. Destacan, en particular, la mayor utilización en francés de prendas de vestir como Nval_mín y la marcada preferencia del español por el empleo de nombres de animales. Se añaden, además, diversos sustantivos no recogidos en trabajos anteriores.

2024-10-30T00:00:00Z Panajo , Francesca http://hdl.handle.net/11089/53785 2024-11-28T02:23:43Z 2024-10-30T00:00:00Z

Dunia Hourani-Martín, "Fraseología en el discurso jurídico-ambiental. Las construcciones verbonominales desde una perspectiva contrastiva (español-alemán)". Berlín: Peter Lang, 2023, 286 p., ISBN: 9783631894613. Panajo , Francesca

2024-10-30T00:00:00Z Soualah, Keltoum http://hdl.handle.net/11089/53780 2024-11-28T02:23:39Z 2024-10-30T00:00:00Z

Rhizome e/ancré : le tatouage pour une réappropriation de soi dans "La femme aux doigts bleus" de Margaux Guyon Soualah, Keltoum This article aims to demonstrate that tattoos, by their nature, formally embody a rhizome that reflects a plural experience leading to self-unity for the protagonist. This transformation is examined through the formal principles of the rhizome. Tattoos facilitate the establishment of deep and non-linear connections with others, visibly marking key moments in the story, thus illustrating the principle of connection. Furthermore, the diversity of human experience is celebrated through the heterogeneous motifs inscribed on the described skins, expressing the porosity and permeability between identities.These connections, traversed by a-significant and unpredictable ruptures, transform each tattoo into a creative rupture. Each mark becomes a landmark in the protagonist's intimate mapping, reflecting her diurnal and nocturnal experiences as well as the evolution of her identity. Finally, the multiplicity of tattoos rejecting any categorization, highlights the consequences of the diversity of relationships on perpetual self-exploration. In essence, tattoos serve as both symbols and catalysts for the protagonist's journey towards self-discovery and unity.; Cet article vise à démontrer que le tatouage, de par sa nature, incarne de manière formelle un rhizome qui traduit une expérience plurielle menant à une unité de soi pour la protagoniste. Cette transformation est examinée à travers les principes formels du rhizome. Les tatouages permettent l'établissement de connexions profondes et non-linéaires avec autrui, marquant visiblement les moments-phares de l'histoire, illustrant ainsi le principe de connexion. De plus, la diversité de l'expérience humaine est célébrée à travers les motifs hétérogènes inscrits sur les peaux décrites, exprimant la porosité et la perméabilité entre les identités.Ces connexions, traversées par des ruptures a-signifiantes et imprévisibles, transforment chaque tatouage en une rupture créative. Chaque marque devient un point de repère dans la cartographie intime de la protagoniste, reflétant ses expériences diurnes et nocturnes ainsi que l'évolution de son identité. Enfin, la multiplicité des tatouages refusant toute catégorisation, elle met en lumière les conséquences de la diversité des relations sur l'exploration perpétuelle de soi.

2024-10-30T00:00:00Z Crivella, Giuseppe http://hdl.handle.net/11089/53781 2024-11-28T02:23:44Z 2024-10-30T00:00:00Z

“Queste morti frammentate che ricorrono per lo spazio della vita come rime lugubri”. Saggio sulle metafisiche interstiziali di Alberto Savinio Crivella, Giuseppe The text analyzes a specific part of Alberto Savinio's very rich production, focusing in particular on three works: Narrate, uomini, la vostra storia, Maupassant e l’altro, Nuova Enciclopedia. The essay seeks to develop a set of interconnected reflections having as their thematic center the notion of metaphysics, which Savinio continued to investigate for years, always choosing different perspectives to focus on its many aspects. In the first section, after a careful contextualization of the issue, the essay will focus on a series of texts drawn from the nonfiction production. Here some structures of the Italian writer's mental and creative universe will be considered, such as, for example, that negative gnoseology that characterizes his writing, belonging to the dimension of the unconceptualizable. In the second section, a comparison between the lives of Gemito and Maupassant will be proposed. The biographies of these two artists will be studied in the light of a cross-reading aimed at identifying the method of investigation that Savinio employs to penetrate the lives of characters seen as key-figures to illustrate some typical elements of his own poetic vision. The third section will focus entirely on the original idea of the Encyclopedia that Savinio elaborates since the 1940s, often resorting to forms and modules proper to many examples of fantastic literature. That is why the article focuses especially on a headword such as /giostra/, in order to show the way in which the Italian writer works in the thickness of language to bring out its reposed potential for inventiveness.; Il testo analizza una parte specifica della ricchissima produzione di Alberto Savinio, concentrandosi in particolare su tre opere: Narrate, uomini, la vostra storia, Maupassant e l’altro, Nuova enciclopedia. Il saggio cerca di sviluppare un mobile plesso di riflessioni strettamente interconnesse aventi quale centro tematico la sfumata nozione di metafisica che Savinio ha continuato ad indagare per anni, scegliendo sempre prospettive differenti per focalizzarne i numerosi aspetti. Nel primo paragrafo, dopo un’attenta contestualizzazione della questione, il saggio si soffermerà su una serie di prose desunte dalla produzione non schiettamente narrativa. Qui verranno prese in considerazione alcune strutture portanti dell’universo mentale e creativo dello scrittore italiano come, ad esempio, la gnoseologia negativa che abita la sua scrittura appartenendo in toto alla dimensione dell’inconcettualizzabile. Nel secondo paragrafo verrà proposto un confronto serrato tra la vita di Gemito e quella di Maupassant. Le biografie dei due artisti saranno studiate alla luce di una lettura incrociata volta all’individuazione del raffinatissimo metodo di indagine che Savinio impiega per penetrare in maniera felpata nelle vite dei personaggi di volta in volta eletti a figure-chiave per illustrare alcuni elementi tipici della propria visione poetica. La terza sezione verterà integralmente sull'originale ed inedita idea di Enciclopedia che Savinio elabora a partire dagli anni 40, facendovi filtrare moduli e stilemi propri di tanta letteratura fantastica. In tal senso, si è scelto di lavorare soprattutto su un lemma come /giostra/, al fine di mostrare il modo in cui lo scrittore italiano scavi capillarmente nel sottosuolo della lingua allo scopo di farne emergere le potenzialità riposte di inventività.

2024-10-30T00:00:00Z