http://hdl.handle.net/11089/10657 2026-04-05T19:23:55Z http://hdl.handle.net/11089/10953 Wykaz publikacji Prof. dr hab. Elizy Małek z lat 1970−2014 2015-01-01T00:00:00Z http://hdl.handle.net/11089/10947 Z rozważań nad tekstem donżuanowskim literatury rosyjskiej Szymańska, Aleksandra W artykule rozważana jest możliwość ustanowienia na gruncie literaturoznawstwa rosyjskiego, poprzez analogię do tekstu petersburskiego, tekstu donżuanowskiego literatury rosyjskiej. W tym celu ustanowiony został zespół cech wspólnych dla utworów odwołujących się do postaci Don Juana. Jednym z dowodów istnienia tekstu donżuanowskiego jest krąg tekstów odwołujących się do modelu słynnego uwodziciela i prześmiewcy. Innymi wyznacznikami są obecność osnowy mitycznej, związek ze sferą ‘sacrum’ i ‘profanum’, obecność konstant w zachowaniu Don Juana, zbliżony sposób językowego kodowania i inne.; The author of the paper considers the possibility of creating in the Russian theory of literature, by way of analogy to the ‘Petersburg text,’, the ‘Don-Juan text’ of Russian literature. To this purpose, a complex of permanent futures shared by literary works that refer to Don Juan are described. The existence of a ‘Don-Juan text’ is evidenced by a group of literary works that employ the archetype of the famous seducer. Other indicators are: the presence of mythological structure, connection with the spheres of the sacred and the profane, constants in Don Juan’s behaviour, specific vocabulary, classifying the most recurrent words and phrases according to their semantics and function in the text. 2015-01-01T00:00:00Z http://hdl.handle.net/11089/10946 Древнерусская “Повесть о бражнике” в интерпретации старообрядческих полемистов Пигин, Александр „Повесть о бражнике” – памятник древнерусской «смеховой» литературы, в основе которого лежит западноевропейский «бродячий» сюжет о грешнике, сумевшем доказать, что у него не меньше прав находиться в раю, чем у апостолов и библейских царей. В 1860-е гг. Повесть обратила на себя внимание старообрядцев-поповцевбелокриницкого согласия в ходе полемики со старообрядцами-беспоповцами. Она была включена в число десяти эсхатологических и этиологических легенд, в которых поповцы усмотрели саму суть опровергаемого ими беспоповского учения об антихристе. Разбор этих сочинений был предпринят писателями белокриницкого согласия И. Г. Кабановым в 1862 г. и М. И. Бриллиантовым в 1903 г. В статье показано, как в интерпретации старообрядческих полемистов произошла перекодировка смысла литературного сочинения. Комическая новелла была прочитана в соответствии с совершенно иными идеологическими и эстетическими установками как кощунственный еретический текст.; ‘Tale about a Reveller’ is a relic of Old Russian parodic literature based upon a Western European migrant theme. It deals with a sinner who was able to prove that he had as good a right to be in paradise as the Apostles or the biblical Kings. In the 1860s, the tale drew attention of the Popovtsy Old Believers (those who kept church hierarchy) of the Belokrinitsa consent in the course of polemics with Bespopovtsy Old Believers (who rejected priests and churches). The tale belonged to those eschatological and etiological legends in which the Popovtsy saw the very essence of Bespopovtsy’s teachings about Antichrist, which they refuted. Examination of these works was undertaken by the writers of the Belokrinitsa consent: Ilarion Kabanov in 1862 and Mikhail Brilliantov in 1903. The paper shows how the meaning of the literary work was recoded in the interpretation of the Old Believer polemicists. In the framework of completely different ideological and aesthetic approaches, the comic short story was read as a blasphemous heretical text. 2015-01-01T00:00:00Z http://hdl.handle.net/11089/10943 „Markiz de Tomsk” Borysa Klimyczewa − problemy genologiczne Karpiński, Adam W artykule zawarte są rozważania teoretycznoliterackie dotyczące określenia przynależności genologicznej utworu "Markiz de Tomsk" syberyjskiego pisarza Borysa Klimyczewa. Jak udało się ustalić, utwór ten charakteryzuje synkretyzm gatunkowy. W jego poetyce można dostrzec elementy powieści historycznej i romansu awanturniczego. Autor niniejszej pracy przywołuje opinie badaczy oraz dokonuje analizy literackiej tekstu.; The author of the paper attempts to define the genre of the novel "Marquis de Tomsk" by Boris Klimychev, a modern (1930-2013) Russian writer from Siberia. His book has not been translated into Polish but neither is Klimychev well known in Russia, his work remaining known mostly to local readers. In the paper an essential emphasis has been placed on the literary analysis of genre characteristics of Klimychev’s romance. "Marquis de Tomsk" proves extremely difficult to describe because it combines the features of several literary genres. The analysis shows that the writer included in his book elements of historical novel, adventure novel and picaresque romance. He also used techniques and themes typical of the poetics of sentimentality. The plot centres on a series of episodes from the life of the characters, both such that have their historical prototypes and fictional ones. The writer relied on historical sources but also described in the novel interesting characters and events, taking into account their attractiveness to potential recipients. Klimychev foregrounded adventurous stories and made love intrigue an important element of the plot. All these components allow us to conclude that the book under discussion is a historical novel with features of picaresque romance. 2015-01-01T00:00:00Z