http://hdl.handle.net/11089/11999 2026-05-01T01:39:18Z http://hdl.handle.net/11089/12020 Zmiana formuły „Przekroju” w latach 2000–2013 Wrona, Katarzyna The aim of this article is to describe and evaluate the changes that took place in the weekly Przekrój from the year 2000 to the end of its publication in 2013. Eighty-three editions from the years 2000 to 2013 are included in the analysis. After a brief introduction encompassing relevant facts concerning the history of the weekly magazine, formal changes (policies, typography, electronic distribution) to the magazine and its content are analysed. The transformation of Przekrój after 2000 is the most extensively discussed aspect, as this period in the magazine’s existence was considered to be the beginning of regular and sweeping changes in its formula. The article is an attempt to construct a hypothesis about the changes which contributed to the disappearance of the weekly magazine from the market. The aim of this analysis is to indicate the reasons for the crisis of one of the most popular and longest-running weekly magazines in Poland. 2015-01-01T00:00:00Z http://hdl.handle.net/11089/12017 Od sukcesu tygodnika do niszowego miesięcznika Zarys historii „Uważam Rze” Kalbarczyk, Maciej The article gives an account of the turbulent history of the Polish news magazine Uważam Rze and provides a diagnosis of the successes and the failures of the weekly. Starting with an overview of the situation in the market of weekly opinion magazines in Poland and an account of the circumstances surrounding the founding of the magazine by a group of so-called “rebellious” journalists, the article then explores changes in the Presspublica company and the influence they had on the format and profitability of Uważam Rze. The research is based on archive issues of Uważam Rze and on information related to events surrounding the magazine. Statements by the founders of the weekly and their views, the opinions of media experts, and an analysis of circulation numbers show why Uważam Rze became so successful and how its potential was lost. The results of this analysis show that the reader–columnist relation represents far more than the mere habit of reading a particular magazine – in place of Uważam Rze, two new weeklies emerged (Do Rzeczy and wSieci) and they immediately took over part of the magazine’s readership. On the other hand, the complicated relations between the publisher and the editor-in-chief illustrate how important the financial independence of a magazine may be when it comes to a press free from any outside pressures. 2015-01-01T00:00:00Z http://hdl.handle.net/11089/12016 Strategia empatii w wywiadach Teresy Torańskiej O nową filozofię rozmowy dziennikarskiej Rostkowska-Biszczanik, Kaja The article attempts to describe the strategy of empathy applied by Teresa Torańska in the interviews she collected in the volume Są [They Are]. Through her attitude the journalist gives the reader an intimate view of the interlocutor and offers insight into his/her most personal experiences. The strategy of empathy includes Teresa Torańska’s choices concerning stylistics, pragmatic endeavours regarding request and apology, silence, and picturing the world in microscale. Thanks to such an approach, the journalistic interview appears as a genre-mission, in which we locate a model for encountering the Other. 2015-01-01T00:00:00Z http://hdl.handle.net/11089/12015 Sprawozdanie piłkarskie – u źródeł gatunku Siekiera, Rafał The article characterizes the football match reports published in Sports Review in 1921. An analysis of the material collected reveals a number of characteristics in the interwar text, i.e., limited imagery, concreteness/discursive juxtaposition, the use of the present tense in describing the game, open (sometimes expressive) evaluation of the individual players’ performance and the teams’ abilities, as well as a missionary style of reporting, in which the journalist takes up universal issues regarding football, sports and physical culture. The analysis outlines the differences between old-time and contemporary realizations of the genre. 2015-01-01T00:00:00Z