http://hdl.handle.net/11089/40758 2026-04-05T18:07:10Z http://hdl.handle.net/11089/43793 Gender in Translation — as Exemplified by Michał Witkowski’s Lubiewo Translated into Spanish Wendorff, Anna This article attempts a closer look at the issue of grammatical gender in translation. The analysis of this concept is based on Michał Witkowski’s novel Lubiewo (Korporacja Ha!art, Kraków, 2005 [2006]) and its Spanish translation by Joanna Albin (Lovetown, Anagrama, Barcelona, 2011). The author of the article aims to analyse problems of grammatical gender translation which stem from the differences between the Polish and Spanish grammar systems, and how the gender specific elements in the Polish text were rendered in the target language, especially in the fragments in which Spanish did not have the grammatical gender equivalent and the translator had to compensate for it in a different fragment. Scholarship holder of the Scientific Award of the Foundation of the University of Łódź in 2017. 2018-01-01T00:00:00Z http://hdl.handle.net/11089/43792 Konstelacje neoawangardy w poezji kobiet na przykładzie twórczości Julii Fiedorczuk Grądziel-Wójcik, Joanna The paper challenges the common view within the history of Polish literature that schematically places women’s poetry outside modernism and avant-garde. The authoress employs the concept of neo-avant-garde to characterize the so-far omitted poetic projects by women, dismissed to date as marginal or “quasi-avant-garde”. In the article, she demonstrates ways in which Julia Fiedorczuk’s intellectual, self-reflexive and experimental poetry draws upon and refashions the avant-garde tradition. 2018-01-01T00:00:00Z http://hdl.handle.net/11089/43776 Przechwycenia estetyzacji — Zofia Kulik Ogród (Libera i kwiaty) Kałuża, Anna The aim of the article is to discuss the work of Zofia Kulik Garden (Libera and flowers) in the context of artistic detournement. Kulik, playing a game with the aesthetic principles of presenting masculine and feminine body in patriarchal culture, shows how subversive repetition can be. The artist questions various orders of power, avoiding masculinization and the feminization of the male body. 2018-01-01T00:00:00Z http://hdl.handle.net/11089/43775 Natalia LL jako artystka neoawangardowa Świeściak, Alina The paper shows Natalia Lach-Lachowicz (Natalia LL) as a neo avant-garde artist whose works in a specific maximalistic way are very close to the main currents of avant-garde trends: newmediality (photograph), minimalism, conceptualism, performance, body-art, pop-art and feminist art. The paper concentrates mainly on the mutual influencing features of conceptualism, consumptionism and feminism in Natalia LL’s works and pays attention to the emancipational potential of her works of the 70s and 80s. 2018-01-01T00:00:00Z