dc.contributor.author | Pawłowska, Aneta | |
dc.date.accessioned | 2016-04-11T08:14:18Z | |
dc.date.available | 2016-04-11T08:14:18Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | A. Pawłowska, „Why do we need art history?” In the 21st century – in the context of the 20th century history of the discipline, [in:] Creativity and Innovation in Business and Education, ed. J. Bieńkowska, Ser. Management, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015, p. 113-124. | pl_PL |
dc.identifier.uri | http://hdl.handle.net/11089/17757 | |
dc.description | Creativity is now an exposed trait. This is due to the high need for innovation, original and useful solutions that serve the development of the organization, their effective market entry and long-term survival. This publication is a collection of papers prepared under The First National Conference “CREATIVE VIBES. Kreatywnością napędzamy gospodarkę”, whose aim was to stir issues concerning the significance of creativity from the point of view of the development of innovative economy, as well as to draw attention to the role of creativity in the education process of students and its impact on the development of professional competence. | pl_PL |
dc.description.abstract | The article presents various approaches to the methodology of modern and contemporary art
history. It provides signposts and a set of possible orientations toward the field of art history, by
presenting some of the theoretical perspectives most widely used in the discipline today (e.g.
historiography, iconography, ‘iconic turn’or the most recent concept – ‘Relational Aesthetics’). The
aim of this article is to present art as a visual representation of a range of concepts and emotions as
well as to examine the progress of different ways in which people study, interpret and appreciate art
in its richness and multitude of forms. | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartof | “Creativity and Innovation in Business and Education”, ed. J. Bieńkowska, Ser. Management, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015; | |
dc.subject | art history | pl_PL |
dc.subject | iconography | pl_PL |
dc.subject | iconic turn | pl_PL |
dc.subject | contemporary art | pl_PL |
dc.subject | culture | pl_PL |
dc.title | „Why do we need art history?” In the 21st century – in the context of the 20th century history of the discipline | pl_PL |
dc.type | Book chapter | pl_PL |
dc.rights.holder | © Copyright by Aneta Pawłowska, Łódź 2015; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2015 | pl_PL |
dc.page.number | [113]-124 | pl_PL |
dc.contributor.authorAffiliation | Faculty of Philosophy and History, Chair of History of Art, University of Łódź | pl_PL |
dc.identifier.eisbn | 978-83-8088-073-3 | |
dc.contributor.authorBiographicalnote | Aneta Pawłowska, professor, Faculty of Philosophy and History, Chair of History of Art,
University of Łódź. She specializes in South African art and culture. Her research interests include:
contemporary art, 20th century gender art and history and theory of collections Her current research
focuses on Audio description. Selected publications: Books: Pro Arte. Monografia grupy
warszawskich artystów 1922–1932 [The Pro Arte Artistic Group (1922–1932)], Warszawa,
Wydawnictwo Neriton 2006; pp. 188; Sztuka i kultura Afryki Południowej. W poszukiwaniu
tożsamości artystycznej na tle przekształceń historycznych [Art and Culture of South Africa. In search
of artistic identity of South Africa, as influenced by historical transformations], Łódź, Wydawnictwo
Uniwersytetu Łódzkiego 2013, pp. 406. Articles: The Roots of Black Post-Apartheid Art in South
Africa, „Art Inquiry” 2004, pp. 81–104; Some Remarks Regarding Contemporary South African Art
in the Context of Political Changes and Stability of Artistic Principles, „Studies of the Department
of African Languages and Cultures” 2013, no. 47, pp. 47–66. | pl_PL |
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dc.contributor.authorEmail | pawlowska@uni.lodz.pl | pl_PL |
dc.identifier.doi | 10.18778/8088-073-3.11 | |