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<title>Slavica Lodziensia 01/2017</title>
<link href="http://hdl.handle.net/11089/22682" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/11089/22682</id>
<updated>2026-04-09T17:38:47Z</updated>
<dc:date>2026-04-09T17:38:47Z</dc:date>
<entry>
<title>New Trends In The Interpretation Of The Poetry Of Vasko Popa Vertical Land And Serbianbyzantine Heritage</title>
<link href="http://hdl.handle.net/11089/23289" rel="alternate"/>
<author>
<name>Seatović, Svetlana</name>
</author>
<id>http://hdl.handle.net/11089/23289</id>
<updated>2018-02-01T11:17:59Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">New Trends In The Interpretation Of The Poetry Of Vasko Popa Vertical Land And Serbianbyzantine Heritage
Seatović, Svetlana
This paper presents fi ndings on the interpretation of the poetry of Vasko Popa in the last 25 years. They point to a shift in the analyzes that follow new theoretical insights. In the case of collections Vertical land shows how the medieval Serbian and Byzantine heritage built into the cycle of poems in the collection, with special emphasis on the cycle of „Pilgrimage”.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Bosnian Identity – Myth And/Or Reality</title>
<link href="http://hdl.handle.net/11089/23290" rel="alternate"/>
<author>
<name>Zekić, Marinko</name>
</author>
<id>http://hdl.handle.net/11089/23290</id>
<updated>2018-02-01T11:18:01Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">Bosnian Identity – Myth And/Or Reality
Zekić, Marinko
The rich socio-cultural history of Bosnia and Herzegovina as a single territorial, political, state and legal and administrative rounded whole, can be seen in several separated simultaneous fl ows arising as a result of the deep-rooted ethno-confessional division of this area, where religion, as the dominant integrating cultural factor, also represented the main distinctive element of the national identity of the three Bosnian constituent peoples, which the unaltered state agrees with to this day. As a unique area with religions at the border, and denominational boundaries at the edges of Catholicism and Orthodoxy among which Islam is wedged between, Bosnia and Herzegovina represents a unique civilizational bridge between East and West, where the followers of these religions see as their guardians, highlighting specifi c religious, cultural and national characteristics which establishes the opposition to the “other” and “diff erent” with which for centuries has coexisted. The most prominent features of identity and otherness which exist in symbiosis are articulated precisely on the borders as places of their meetings, which in turn have never been so impervious to keep the integration of diff erent ethnic and religious traditions followers, leading to ghettoisation and creating worlds closed for themselves, and long-term coexistence of diff erent and often confl icting civilizational-religious system characterized by a certain closeness of high culture of individual entities and openness, and mutual intertwining of which was out of the realm of popular culture.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>The Semiotics Of Writing: The Novels By Dževad Karahasan</title>
<link href="http://hdl.handle.net/11089/23287" rel="alternate"/>
<author>
<name>Hadžizukić, Dijana</name>
</author>
<id>http://hdl.handle.net/11089/23287</id>
<updated>2018-02-01T11:17:55Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">The Semiotics Of Writing: The Novels By Dževad Karahasan
Hadžizukić, Dijana
This paper will analyze Dzevad Karahasan’s novels The Eastern Diwan,Shahriar’s Ring and What the Ashes Tell, and it will do so by exploring thematisation and frames, authorship and manuscripts. In that context it is important to analyze the structural position of the authorwithin the text of the novel,his position inside the fi ctional society built within the plot, and to explore the themes and motifs of texts, scripts, writings and their overall importance, but also the meaning of the text to its fi nal recipient, the reader. The notion of writing is here considered in the sense of the Barthean term of scribing, and not only by hand, but by any other form of writing, copying, authorship and rewriting. The protagonists of Karahasan’s novels act as people who write, so the sole act of writing is made into a fundamental motif of the novel.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Voice Management In The Mawlid By Mirza Safvet-Beg Bašagić</title>
<link href="http://hdl.handle.net/11089/23288" rel="alternate"/>
<author>
<name>Bulić, Halid</name>
</author>
<id>http://hdl.handle.net/11089/23288</id>
<updated>2018-02-01T11:17:57Z</updated>
<published>2017-01-01T00:00:00Z</published>
<summary type="text">Voice Management In The Mawlid By Mirza Safvet-Beg Bašagić
Bulić, Halid
Mawlid is a poetic literary work about the birth and life of the Muhammad, the Messenger of God. Mawlid by Mirza Safvet-beg Bašagić is one of the most signifi cant mawlids written in the Bosnian language. The text of the Mawlid is analyzed from the perspective of literary pragmatics. The paper takes into consideration the relationship between the author and narrator in the text and voice management in the Bašagić’s Mawlid.
</summary>
<dc:date>2017-01-01T00:00:00Z</dc:date>
</entry>
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