http://hdl.handle.net/11089/1448 2026-04-03T19:02:14Z http://hdl.handle.net/11089/3951 БАЛЛАДА М. Ю ЛЕРМОНТОВА ТРИ ПАЛЬМЫ И СУДЬБА ОДНОГО ОРИЕНТЕЛЬНОГО МОТИВА В ПОЭЗИИ В. ЖУКОВСКОГО, А. ПУШКИНА, А. МИЦКЕВИЧА ХОДАНЕН, ЛЮДМИЛА The article is about the eastern motif “the horse and the rider in the desert”. This motif appeared in the French poetry (Millevoye, Lagrange) in connection the translations of the Bedouin (desert arabs) poetry. Gradually In poetry by V. Zukovskij’s (Песнь араба над могилою коня), A. Pushkin (IX Imitation from the poetic cycle Подражания Корану), A. Mitskevich (Фарис), M. Lermontov (Три пальмы) the metasubject was formed in which a synthesis of Eastern and Western motives was created. The poets start with the imitation of the eastern texts and then in their poetry they start to express the philosophical ideas of correlation between the Eastern and the Christian cultures as different forms of a civilization development. 2011-01-01T00:00:00Z http://hdl.handle.net/11089/2631 К художественной морфологии русской абсурдистской драматургии (от Козьмы Пруткова к Даниилу Хармсу) Миловидов, Виктор The article adresses Russian absurdist drama in the context of disourse analysis, showing the procedures of semantisation as being based not on the immanent textual characteristics, but on the outward reality and literary tradition. 2011-01-01T00:00:00Z http://hdl.handle.net/11089/2630 Проблема личности в контексте исторической памяти: чеховские аллюзии в комедии Н. Рудковского «Дожить до премьеры» Ищук-Фадеева, Нина The article deals with the analysis of the semantic relations of a modern playwright N. Rudkovsky with Chekhov’s comedies. The self-consciousness of a person in Chekhov’s drama is directly connected with the historic memory, and this idea is interpreted in Rudkovsky’s works through the theatrical experiment, allowing for the actresses to go through war as a personal experience, and for the spectators – to set right “the joint” of time. 2011-01-01T00:00:00Z http://hdl.handle.net/11089/2628 «Русское варенье» Л. Улицкой: осмысление современной действительности классикой Olaszek, Barbara The main focus of this essay concerns creative ways of depicting contemporary Russian reality in Ludmila Ulickaja’s play “Russian Preserves”. The image of reality is created on the basis of quotations, topical references and reminiscences from classical literature, books of history and popular culture. The assessment of reality is made through clue words, winged words, witticism and paradox, usually used with a hint of irony. The inclusion of the interlude with its parody function adds to enhance the ideological meaning: the contemporary Russia is on the verge of catastrophe. 2011-01-01T00:00:00Z