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<title>Acta Universitatis Lodziensis. Folia Litteraria Polonica T. 42 (2017) nr 4</title>
<link>http://hdl.handle.net/11089/25036</link>
<description>Lager, łagier, obóz – zapis. Obszary, red. Arkadiusz Morawiec</description>
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<rdf:li rdf:resource="http://hdl.handle.net/11089/25268"/>
<rdf:li rdf:resource="http://hdl.handle.net/11089/25269"/>
<rdf:li rdf:resource="http://hdl.handle.net/11089/25271"/>
<rdf:li rdf:resource="http://hdl.handle.net/11089/25272"/>
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<dc:date>2026-04-03T22:55:27Z</dc:date>
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<item rdf:about="http://hdl.handle.net/11089/25268">
<title>Literackie obrachunki z dzieciństwem na zesłaniu w Związku Sowieckim. Wstępne rozpoznanie</title>
<link>http://hdl.handle.net/11089/25268</link>
<description>Literackie obrachunki z dzieciństwem na zesłaniu w Związku Sowieckim. Wstępne rozpoznanie
Wal, Anna
The article discusses autobiographical prose of the writers of the war generation, devoted to the problems of deportation into the interior of the Soviet Union during World War II. The considerations include the works published in Poland after 1989: Andrzej Turczyński’s Chłopiec na czerwonym koniu (1991), Piotr Bednarski’s Błękitne śniegi (1996), Andrzej Czcibor-Piotrowski’s Rzeczy nienasycone (1999), Zbigniew Domino’s Syberiada polska (2001) and Tajga. Tamtego lata w Kajenie (2007). The carried out analysis of the literary texts provides the grounds for justification of the thesis that the writers broke with the earlier existing conventions of war writing, referring to the close to the child’s imagination poetics of fairy-tale, parable, dream, mythologisation of reality, and that while showing exiled childhood in the Soviet Union they used very specific topoi (the image of parents, mainly of the mother, the motif of friendship and peer groups, as well as of adventure and initiation).
</description>
<dc:date>2017-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/11089/25269">
<title>Obóz dla dipisów – literackie zapisy doświadczenia życia „pomiędzy”. Zaproszenie do tematu</title>
<link>http://hdl.handle.net/11089/25269</link>
<description>Obóz dla dipisów – literackie zapisy doświadczenia życia „pomiędzy”. Zaproszenie do tematu
Krupa, Bartłomiej
This article is a preliminary attempt to read the condition of survivors – those who were imprisoned in the displaced persons camps in occupied Germany just after the war. In this context author considers Tadeusz Nowakowski’s novel Obóz Wszystkich Świętych (Camp of All Saints), full of satire, grotesque and thoroughly soaked with sarcasm. The addition to Nowakowski’s vision is Tadeusz Borowski’s short story Bitwa pod Grunwaldem (Battle of Grunwald), as well as his poems from this time, e.g. Demokratyczne dary (Democratic Gifts), and also Jerzy Zagórski’s reports W południowych Niemczech (In Southern Germany), where the camps for DPs are compared to Henry Moore’s anthropomorphic figures sleeping in the tunnel. Separate reflections are devoted to the fate of Ida Fink, Shoah survivor, who was imprisoned in the Ettlingen camp. The writer mentions this time in the novel Podróż (Travel) and the interviews. Textual analyzes lead the author of the article to the conclusion that the narratives are proof of the inability to experience peace of mind in the time of freedom and generally the inability to return to pre-war times.
</description>
<dc:date>2017-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/11089/25271">
<title>Resztki ciała. Cielesne doświadczenie obozowe: problemy przedstawiania</title>
<link>http://hdl.handle.net/11089/25271</link>
<description>Resztki ciała. Cielesne doświadczenie obozowe: problemy przedstawiania
Wolski, Paweł
The author comments on some fundamental issues connected to the representation of the bodily experience within Holocaust literature as a particular kind of writing based on two paradigms: the ethical one, blurring common definitions of fiction and fictionality (including the definition of somatic reality in autobiographical, quasi-autobiographical and fictional Holocaust narratives), and the body-mind one, funding the discourse of dignity within the death camps (intellectual resistance being presented as the only possible one within the sub-human treatment of the body). The author, while recognizing validity of both, demands a recognition of bodily aspects of Holocaust literature. He does so by using the example of well-known critical comments on Giorgio Agamben’s theory of „the Muselman”.
</description>
<dc:date>2017-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/11089/25272">
<title>Włosy w kobiecych narracjach lagrowych</title>
<link>http://hdl.handle.net/11089/25272</link>
<description>Włosy w kobiecych narracjach lagrowych
Czarnecka, Barbara
The article is the analysis of women’s lager narrations that reflect the procedure of shaving hair applied to female lager prisoners. It shows cultural, social and psychological meanings of this procedure, presents it as the element of the wide scale lager violence strategy, degradation ritual, the form of female identity and intimacy violation. Through the presentation of various circumstances in which women were shaved in concentration camps the text presents the situation complexity of the lager experience – its phases and the context. The article relates the variety of sources and includes the experiences of women of different nationalities, for example: German, Polish, Jewish.
</description>
<dc:date>2017-01-01T00:00:00Z</dc:date>
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