http://hdl.handle.net/11089/10498 Thu, 09 Apr 2026 05:50:20 GMT 2026-04-09T05:50:20Z https://dspace.uni.lodz.pl:443/xmlui/bitstream/id/0ab1db90-791c-4115-875c-10bea254d2dc/ http://hdl.handle.net/11089/10498 http://hdl.handle.net/11089/10605 „Es gibt keine Exilliteratur mehr. Es gibt lediglich literarisch interessante Situationen” – über das Schaffen der polnischen Schriftsteller in Deutschland nach 1989 Błaszczyk, Karolina The article is an introduction to the issue of Polish literature written in Germany after 1989. The first part of the work focuses around the current literary discussions on defining and developing the terminology and methods enabling research into this new literature – written abroad after the fall of the Iron Curtain. Post­-emigration literature, migration literature, minority literature, multi­-, inter­-, trans­-cultural and diasporic literature – these are only a few of the suggested terms. The second part of the article refers to the works of selected representatives of Polish literature written after 1989 and the issues they discuss in their works. The purpose of the article is to briefly present the complexity of an important problem in the views of Polish, German and Slavic philologists. At the same time, it aims to show that study of the phenomenon in question is still insufficient. Wed, 01 Jan 2014 00:00:00 GMT http://hdl.handle.net/11089/10605 2014-01-01T00:00:00Z http://hdl.handle.net/11089/10604 Verloren im Schützengraben. Zur Raumsemantik der dargestellten Kriegsräume in Erich Maria Remarques „Im Westen nichts Neues” Brylla, Wolfgang During the centenary of the outbreak of the First World War Erich Maria Remarque’s bestseller “All Quiet on the Western Front” is surpassing successive records of popularity. Commonly considered as an antiwar and pacifist novel, the history of Paul Bäumer, a young soldier on the western front, is rather a novel about a war generation lost in the trenches. Remarque describes this written off generation on the stage of various war­-spaces. The first­-person narrator who very often switches to the collective ‘we’, is the voice of virtually the whole community of combatants engaged on the side of the German recruits, describes 1) barracks in which it has been attempted to destroy their youth and build their new identity, 2) the latrine at the front that paradoxically secures relative peace for them, 3) earthworks as a prelude to hostilities, 4) trenches/dugouts that are only a waiting­-room for death, 5) the home front which is presented in the context of “La Grande Guerre” as an alien and impersonal space, and 6) the military hospital that from the narrator’s Bäumer’s perspective is the war in a minature format. The homodiegetic and autodiegetic method of narration in “All Quiet on the Western Front” is on the one hand based on the visualization of the war­-spaces, on the other – on showing, through the making of the narrative semantics of these spaces, the lost generation. Bäumer’s and his companions’s moral­-ethical­-human fall is related to, and dependent on, the spaces in which they exist and which affect their psychic and physical condition. With the death of the main narrator also dies the space of the narration, however the frame of the narrative spaces remains and documents the cruelty and savagery of the hell of 1914–1918. Wed, 01 Jan 2014 00:00:00 GMT http://hdl.handle.net/11089/10604 2014-01-01T00:00:00Z http://hdl.handle.net/11089/10603 Ideologische Voraussetzungen der Literatur des Dritten Reiches. Nationalsozialistische Literatur­ und Kulturpolitik Golaszewski, Marcin; Tomasi-Kapral, Elżbieta National Socialism did not only constitute a political doctrine; it was also a kind of worldview that left its mark on German and pan­-European culture of the 20th century. The drastic changes that were linked to Hitler’s takeover of power confronted writers and poets with a completely new reality and wholly new conditions of the creative process. Those who could not or would not emigrate had to submit themselves (voluntarily or involuntarily) to the policies and norms decreed by the National Socialists. National Socialism – a conglomerate of different ideologies and ideologemes – perverted certain middle­-class values and ultimately aimed towards the total subjugation of all areas of life, culture being among them. The fact that the German middle­-class partly shared the values propagated by the Nazis led to an overhasty and unjust assessment of the attitude of writers belonging to the so­-called ‘Inner Emigration’. The article at hand outlines the principles of National Socialist cultural politics as well as its relationship to artists. The complicated creative situation of writers and poets in the Third Reich will be shown by representative examples. Wed, 01 Jan 2014 00:00:00 GMT http://hdl.handle.net/11089/10603 2014-01-01T00:00:00Z http://hdl.handle.net/11089/10602 Od słownika do leksykonu. Infografia leksykalna w słownikach bilingwalnych Sadziński, Witold The aim of this article is to show and to emphasize the importance of the so­-called info boxes for foreign language learners in a bilingual dictionary. The phenomenon has been demonstrated using the Hueber­-Dictionary (2008). Wed, 01 Jan 2014 00:00:00 GMT http://hdl.handle.net/11089/10602 2014-01-01T00:00:00Z