| dc.contributor.author | Mrak, Anja | |
| dc.contributor.editor | Kocot, Monika | |
| dc.contributor.editor | Szafraniec, Kamil | |
| dc.date.accessioned | 2017-09-19T11:22:16Z | |
| dc.date.available | 2017-09-19T11:22:16Z | |
| dc.date.issued | 2015 | |
| dc.identifier.citation | Mrak A., Popculture in postcolonial literature. Motifs of popular culture in Arundhati Roy’s The god of small things and Eden Robinson’s Monkey Beach, [w:] Kocot M., Szafraniec K., (red.), Języki (pop)kultury w literaturze, mediach i filmie, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015, s. [109]-118, doi: 10.18778/8088-061-0.11 | pl_PL |
| dc.identifier.isbn | 978-83-8088-061-0 | |
| dc.identifier.uri | http://hdl.handle.net/11089/22635 | |
| dc.language.iso | en | pl_PL |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartof | Kocot M., Szafraniec K., (red.), Języki (pop)kultury w literaturze, mediach i filmie, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015; | |
| dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Na tych samych warunkach 3.0 Polska | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/pl/ | * |
| dc.subject | postcolonial literature | pl_PL |
| dc.subject | The God of Small Things | pl_PL |
| dc.subject | Monkey Beach | pl_PL |
| dc.subject | Eden Robinson | pl_PL |
| dc.subject | Arundhati Roy | pl_PL |
| dc.subject | popular culture | pl_PL |
| dc.title | Popculture in postcolonial literature Motifs of popular culture in Arundhati Roy’s The God of Small Things and Eden Robinson’s Monkey Beach | pl_PL |
| dc.type | Book chapter | pl_PL |
| dc.rights.holder | © Copyright by Uniwersytet Łódzki, Łódź 2015 | pl_PL |
| dc.page.number | [109]-118 | pl_PL |
| dc.identifier.eisbn | 978-83-8088-062-7 | |
| dc.contributor.authorBiographicalnote | Anja Mrak – doktorantka literaturoznawstwa na Wydziale Filologicznym
Uniwersytetu w Ljubljanie w Słowenii. Jej rozprawa doktorska
jest studium gatunku magicznego realizmu i jego (potencjalnego)
znaczenia i zastosowania w feministycznej teorii literatury. | pl_PL |
| dc.references | Appleford R. [2005], “Close, very close, a b’gwus howls”: The Contingency of Execution in Eden Robinson’s Monkey Beach, “Canadian Literature” 184, 85–101, EBSCOHost. Web. [access 10.03.2012]. | pl_PL |
| dc.references | Durix J.-P. [1998], Mimesis, Genres and Post-Colonial Discourse. Deconstructing Magic Realism, Palgrave Macmillan, New York. | pl_PL |
| dc.references | Fox C.L. [2002], A Martyrology of the Abject: Witnessing and Trauma in Arundhati Roy’s The God of Small Things, “Ariel” 33.3/4, 35–60, Literature Resource Center, Web. [access 03.09.2011]. | pl_PL |
| dc.references | Goodman R. [2004], De-scribing the Centre: Satiric and Postcolonial Strategies in The Madonna of Excelsior, “Journal of Literary Studies” 20, 62–70, Literature Resource Center. Web. [access 03.09.2011]. | pl_PL |
| dc.references | Kramer-Hamstra A. [2009], “Rumors of a Larger Story: The Intersection of Mystery and Mastery in Eden Robinson’s Monkey Beach”, “The Canadian Journal of Native Studies” 29.1/2, 111–125, ProQuest Social Science Journals. Web. [access 10.03.2012]. | pl_PL |
| dc.references | Loomba A. [2005], Colonialism/Postcolonialism, 2nd ed., Routledge, New York. | pl_PL |
| dc.references | Lutz J. [2009], Commodity fetishism, patriarchal repression, and psychic deprivation in Arundhati Roy’s The God of Small Things, “Mosaic (Winnipeg)” 42.3, 1–11, Literature Resource Center, Web. [access 03.06.2011]. | pl_PL |
| dc.references | Pratt M. L. [2008], Imperial Eyes. Travel Writing and Transculturation, 2nd ed., Routledge, New York. | pl_PL |
| dc.references | Robinson E. [2000], Monkey Beach, Houghton Mifflin, New York. | pl_PL |
| dc.references | Roy A. [1997], The God of Small Things, HarperCollins, London. | pl_PL |
| dc.references | Wisker G. [2007], Key Concepts in Postcolonial Literature, Palgrave Macmillan, New York. | pl_PL |
| dc.identifier.doi | 10.18778/8088-061-0.11 | |