W atelier artysty. Pracownie malarzy łódzkich 1890–1939
Streszczenie
The artist’s studio was an important part of the creative process in the 19th and early 20th
centuries. The article is an attempt to present the current status of research into artists’ studios
in Łódź that for various reasons have not yet been a spectrum of interest in the scientific
community. In Łódź of the turn of the 19th and 20th centuries, studio-atelier is for an artist
not just a “place to create” and “territory of life” (it had in fact mainly residential functions),
a field for spiritual struggle, but also an exhibition and trade showroom. In many studios
artists involved in teaching activities had art schools. Despite various difficulties to which
representatives of the local artistic circles were exposed, in their ateliers, as if in defiance
of reality, they created paintings and sculptures, designs of polychrome, posters, typography
and book covers, theatrical scenery, as well as popular in this period arrangements
of exhibitions and carnival celebrations that allowed the “Apelles Colony” to survive. The
article, based on archival material and scientific research conducted by the author, evokes
the atmosphere and realities of the studios of Łódź leading artists: Abraham Adolf Behrman,
Maurycy Trębacz, Samuel Hirszenberg, Kazimiera Wiśniewska-Szczygielska, Alicja
Nowińska, Eustachy Pietkiewicz, Ryszard Radwański, Stanisław Czarnowski, Oscar Edwin
Adalbert Mayer-Elbing, Adam Strzeżymir Pruszyński, Karol Ende, Ary Sperski, Konstanty
Mackiewicz, Franciszek Walczowski and others.
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