Street Art and Space

Gralinska-Toborek, Agnieszka

dc.contributor.author	Gralinska-Toborek, Agnieszka
dc.contributor.editor	Garlińska-Toborek, Agnieszka
dc.contributor.editor	Kazimierska-Jerzyk, Wioletta
dc.date.accessioned	2017-10-03T17:14:15Z
dc.date.available	2017-10-03T17:14:15Z
dc.date.issued	2016
dc.identifier.citation	Gralińska-Toborek A., Street Art and Space, [in:] Gralińska-Toborek A., Kazimierska-Jerzyk W. (eds), Aesthetic Energy of the City. Experiencing Urban Art and Space, Łódź University Press, Łódź 2016, s. [85]-99, doi: 10.18778/8088-151-8.05	pl_PL
dc.identifier.isbn	978-83-8088-151-8
dc.identifier.isbn	978-83-939800-1-7
dc.identifier.uri	http://hdl.handle.net/11089/22771
dc.description.abstract	Various forms of street art, such as murals, anamorphic painting or urban interventions, become an important component of urban space. The paper examines examples of selected works of urban art in the context of space and its reception. These unexpected “events” entertain and educate. They become, on the one hand, a tourist attraction, and on the other hand, a major voice in the debate on the public nature of visual urban sphere. Although ephemeral and inconspicuous, usually reluctantly accepted by architects and urban planners, they successfully urge viewers to reflect on space and its existing functions.	pl_PL
dc.language.iso	en	pl_PL
dc.publisher	Łódź University Press	pl_PL
dc.relation.ispartof	Gralińska-Toborek A., Kazimierska-Jerzyk W. (eds), Aesthetic Energy of the City. Experiencing Urban Art and Space, Łódź University Press, Łódź 2016;
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.title	Street Art and Space	pl_PL
dc.type	Book chapter	pl_PL
dc.rights.holder	© Copyright by Authors, Łódź 2016; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2016; © Copyright for this edition by Fundacja Urban Forms, Łódź 2016	pl_PL
dc.page.number	[85]-99	pl_PL
dc.identifier.eisbn	978-83-8088-152-5
dc.contributor.authorBiographicalnote	Ph.D. – is an aesthetician, a historian and an art historian, an Assistant Professor of Aesthetics and Art History at the University of Lodz. The co-author (with Wioletta Kazimierska-Jerzyk) of the book entitled “Experience of Art in Urban Space. Urban Forms Gallery 2011–2013” (2014) and the author of several papers on street art and graffiti. Her research interests focus on the functions of art in public space, socio-political contexts of modern art, connections between traditional and contemporary art (especially aesthetic interpretation of antiquity in modern visual arts).	pl_PL
dc.references	Chaffee, Lyman G. (1993), Political Protest and Street Art: Popular Tools for Democratization in Hispanic Countries, Westport, Connecticut–London: Greenwood Publishing Group.	pl_PL
dc.references	Gralińska-Toborek, Agnieszka (2009), “They call it illegal, we call it free – street art images set free”, Art Inquiry, vol. XI(XX).	pl_PL
dc.references	Gralińska-Toborek, Agnieszka; Kazimierska-Jerzyk, Wioletta (2014), Experience of Art in Urban Space. Urban Forms Gallery 2011–2013, Łódź: Biblioteka & Urban Forms Foundation.	pl_PL
dc.references	Greenberg, Clement (1971), “Avant-Garde and Kitsch”, [in:] Greenberg Clement, Art and Culture. Critical Essays, Boston: Beacon Press.	pl_PL
dc.references	Hocke, Gustav René (2003), Świat jako labirynt. Maniera i mania w sztuce europejskiej w latach 1520–1650 i współcześnie, trans. M. Szalsza, Gdańsk: słowo/obraz terytoria (orig.: Die Welt als Labirynth- manier und Manie in der europäischen Kunst, Hamburg: Rowohlt, 1957).	pl_PL
dc.references	Honigman, Ana Finel (2009), Interview with Evol, online: http://evoltaste.com/content/3-press/4-interview-magazine-blog/evol_interviewmag_2009.pdf, accessed 10.12.2015.	pl_PL
dc.references	Jenkins, Henry (2006), Convergence Culture: Where Old and New Media Collide, New York–London: New York University Press.	pl_PL
dc.references	Knox, Paul (2012), Palimpsests: Biographies of 50 City Districts. International Case Studies of Urban Change, Basel, Switzerland: Birkhäuser.	pl_PL
dc.references	Koçak, Dilek Özhan; Koçak, Orhan Kemal (2014), Whose City Is That? Culture, Design, Spectacle and Capital in Istanbul, New Castle upon Tyne: Cambridge Scholars Publishing.	pl_PL
dc.references	Kwon, Miwon (2014), “One Place after Another: Notes on Site Specificity”, [in:] Jen Jack Gieseking, William Mangold, Cindi Katz, Setha Low, Susan Saegert (eds.), The People, Place, and Space Reader, New York: Routledge. First published in: October, vol. 80 (spring 1997), pp. 85–110.	pl_PL
dc.references	Leonardo da Vinci (1802), Treatise on Painting, trans. Francis Rigaud, London: J. Taylor.	pl_PL
dc.references	Levi-Strauss, Claude (1966), The Savage Mind, Chicago: University of Chicago Press.	pl_PL
dc.references	Manco, Tristan (2014), Big art small art, London: Thames & Hudson – as quoted in: http://evoltaste.com/cv, accessed 10.12.2015.	pl_PL
dc.references	McCormick, Jonathan; Jarman, Neil (2005), “Death of mural”, Journal of Material Culture, Vol. 10.	pl_PL
dc.references	McCormick, Carlo; Schiller, Marc; Schiller, Sara; Seno, Ethel (2010), Trespass. A History of Uncommissioned Urban Art, Köln: Taschen.	pl_PL
dc.references	Myers, Holly (2011), “Joshua Callaghan elevates the humble”, Los Angeles Times, January 20.	pl_PL
dc.references	Nalin, Felice (2000), L’arte dei madonnari. Le tecniche, Firenze: Giunti Editore.	pl_PL
dc.references	Parry, William (2011), Against the Wall: The Art of Resistance in Palestine, Chicago, Illinois: Lawrence Hill Books.	pl_PL
dc.references	Perrault, Claude (1993), Ordonnance for the Five Kinds of Columns after the Method of the Ancients, Los Angeles: Getty Publications.	pl_PL
dc.references	Rewers, Ewa (2014), “Kulturowe Studia Miejskie. Wprowadzenie”, [in:] Ewa Rewers (ed.), Kulturowe Studia Miejskie. Wprowadzenie, Warszawa: Narodowe Centrum Kultury.	pl_PL
dc.references	Rutkiewicz, Marcin; Sikorski, Tomasz (2011), Graffiti w Polsce 1940–2010, Warszawa: Carta Blanca.	pl_PL
dc.references	Seckel, Al (2004), Masters of Deception: Escher, Dalí & the Artists of Optical Illusion, New York: Sterling Publishing Company.	pl_PL
dc.references	Stępień, Bartosz (2010), Łódzkie murale: niedoceniona grafika użytkowa PRL-u, Łódź: Księży Młyn Dom Wydawniczy Michał Koliński.	pl_PL
dc.references	Wenner, Kurt (2011), Asphalt Renaissance: The Pavement Art and 3-D Illusions, New York: Sterling Publishing Company.	pl_PL
dc.references	Young, Alison (2014), Street Art, Public City: Law, Crime and the Urban Imagination, New York–London: Routledge.	pl_PL
dc.identifier.doi	10.18778/8088-151-8.05