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dc.contributor.authorKaczmarek, Tomasz
dc.contributor.editorStaroń, Anita
dc.contributor.editorZacharow, Sebastian
dc.description.abstractUntil recently not many people recognize the feminist theater movement existing in the end of the 19th century. For almost a century it was condemned to oblivion for above all political reasons. Most scholars were focused on anarchist male authors while in this the article works of the two feminine authors are analyzed, these include: Vera Starkoff and Nelly Roussel. Starkoff, the Russian Jew, was inspired by Tolstoy, Zola and Ibsen, and wrote the didactic dramas in which she discussed gender inequality between men and women at that time. She in her works seems to be more moderate then Roussel who is more uncompromising in her works. Roussel ridicules canonic values represented by the Roman-Catholic Church enslaving not only women but each individual’s thinking.pl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofStaroń A., Zacharow S., Être en minorité, être minorité, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2017;
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.subjectVera Starkoffpl_PL
dc.subjectNelly Rousselpl_PL
dc.subjectfeminist theaterpl_PL
dc.subjectdidactic dramapl_PL
dc.subjectthéâtre féministepl_PL
dc.subjectdrame didactiquepl_PL
dc.titleLa voix des femmes dans le théâtre français de contestation sociale au tournant du XXe sièclepl_PL
dc.title.alternativeThe voice of women in the French theater of contest at the turn of the twentieth centurypl_PL
dc.typeBook chapterpl_PL
dc.rights.holder© Copyright by Authors, Łódź 2017; © Copyright for this edition by Université de Łódź, Łódź 2017pl_PL[205]-219pl_PL
dc.contributor.authorAffiliationUniversité de Łódźpl_PL

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Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska
Except where otherwise noted, this item's license is described as Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska