dc.contributor.author | Sosnowska, Monika | |
dc.contributor.editor | Sosnowska, Monika | |
dc.date.accessioned | 2019-12-03T07:47:49Z | |
dc.date.available | 2019-12-03T07:47:49Z | |
dc.date.issued | 2014 | |
dc.identifier.citation | Sosnowska M., Gdyby Ofelia przy zdrowych zmysłach pozostała…, [w:] Szekspir na blogu, Sosnowska M. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2014, s. 109-127, doi: 10.18778/7969-283-5.05 | pl_PL |
dc.identifier.isbn | 978-83-7969-283-5 | |
dc.identifier.uri | http://hdl.handle.net/11089/30982 | |
dc.description.abstract | The article focuses on literary representations of women’s sight and hearing in William Shakespeare’s Hamlet on the example of Ophelia. The emphasis is put on the transgressive usage of the senses and the gendering of sensory perceptions which fulfill many cultural functions: determining our cognition, being the tools of power relations or conditioning our sensations. Sensual perception is examined as an unstable cultural construct undergoing changes in time. The textual analysis of selected fragments from Hamlet presents the way in which the fictional heroine − Ophelia − perceives, revealing the manner in which cultural formations of the senses were constructed in Shakespeare’s drama. Linguistic images of transgressive female perception emerge from a comparison between representations of sensual experience of male and female characters in the play. Ophelia sensory experiences differ from those of the male characters in the play. The sensory code which delineates boundaries of human perception, like many other cultural codes, deprives this female character of her own audition and vision. Ophelia, who loses her senses, is portrayed as breaking the rules that exist in Renaissance society by perceptual
transgression. | pl_PL |
dc.description.sponsorship | Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartof | Sosnowska M. (red.), Szekspir na blogu, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2014; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | William Szekspir | pl_PL |
dc.subject | Shakespeare | pl_PL |
dc.subject | literatura europejska | pl_PL |
dc.subject | ikona literatury | pl_PL |
dc.subject | Ofelia | pl_PL |
dc.title | Gdyby Ofelia przy zdrowych zmysłach pozostała… | pl_PL |
dc.title.alternative | If Ophelia Did Not Lose Her Senses… | pl_PL |
dc.type | Book chapter | pl_PL |
dc.page.number | 109-127 | pl_PL |
dc.contributor.authorAffiliation | Uniwersytet Łódzki, Wydział Studiów Międzynarodowych i Politologicznych, Katedra Studiów Brytyjskich i Krajów Wspólnoty Brytyjskiej | pl_PL |
dc.identifier.eisbn | 978-83-7969-737-3 | |
dc.references | Aronson, Alex. Shakespeare and the Ocular Proof, Vantage Press, New York 1995. | pl_PL |
dc.references | Caldwell, Mark L. „Hamlet and the Senses”, Modern Language Quarterly 40.2 (1979): 135–154. | pl_PL |
dc.references | Goodman, Lizbeth; Small, Hellen; Jacobus Mary. „Madwomen and Attics: Themes and Issues in Women’s Fiction”, w: Literature and Gender: Approaching Literature, Lizbeth Goodman, (red.), Routledge, London 1996: 109–144. | pl_PL |
dc.references | Green, Reina. „Poisoned Ears and Parental Advice in Hamlet”, Early Modern Literary Studies 11.3, 2006, http://purl.oclc.org/emls/11-3/greeham2.htm, [8.12.2012]. | pl_PL |
dc.references | Hassel, R. Chris. „Painted Women: Annunciation Motifs in Hamlet”, Comparative Drama 32, 1998: 47–84. | pl_PL |
dc.references | Mahood, Molly M. Shakespeare’s Wordplay, Routledge, London 1968 | pl_PL |
dc.references | McDermott, Jennifer Rae. „Perceiving Shakespeare: A Study of Sight, Sound, and Stage”, Early Modern Literary Studies 19, 2009, http://purl.oclc.org/emls/si-19/mcdeshak.html, [8.12.2012]. | pl_PL |
dc.references | Meek, Richard. Narrating the Visual in Shakespeare, Farnham–Burlington: Ashgate, 2009. | pl_PL |
dc.references | Sosnowska, Monika. „NecrOphelia and the Strange Case of Afterlife”, Studia Anglica Posnaniensia: An International Review of English Studies 48.2–3, Wydawnictwo Uniwersytetu Adama Mickiewicza, Poznań, 2014: 103–123. | pl_PL |
dc.references | Szekspir, William. Hamlet. Tł. Władysław Tarnawski, Wrocław: Zakład im. Ossolińskich, 1966. | pl_PL |
dc.identifier.doi | 10.18778/7969-283-5.05 | |