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dc.contributor.authorBarska, Joanna
dc.contributor.editorDeckert, Mikołaj
dc.contributor.editorKocot, Monika
dc.contributor.editorMajdzińska-Koczorowicz, Aleksandra
dc.identifier.citationBarska J., Love Old Sweet Song: How Joyce Narrativizes with Music?, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 225-233, doi: 10.18778/8220-191-8.15pl_PL
dc.description.sponsorshipThis research project has been funded by the National Science Centre in Poland, according to the decision no. DEC-2013/11/N/HS2/03302.pl_PL
dc.publisherŁódź University Presspl_PL
dc.relation.ispartofDeckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.titleLove Old Sweet Song: How Joyce Narrativizes with Music?pl_PL
dc.typeBook chapterpl_PL
dc.contributor.authorAffiliationUniversity of Warsawpl_PL
dc.contributor.authorBiographicalnoteJoanna Barska graduated from the Faculty of Comparative Literature, Jagiellonian University in Cracow, and the “Artes Liberales” Academy. The article published in this volume was written in 2014 when Joanna Barska received awards from, among others, the Polish Minister of Education and the National Science Center (Etiuda scholarship with an internship at the Université de Paris-Sorbonne) for outstanding research. At that time she was also finalising 3 projects, as part of the following research grants: The James Joyce Fellowship (University at Buffalo, NY), Preludium (Pre-Doctoral Grant from the National Science Centre) and the National Program for the Development of Humanities (from the Ministry of Science and Higher Education). She lectured and wrote on modern literature, theory and practice of comparative literature and intermedial studies. Currently, she is an entrepreneur, running and developing two companies in the furniture manufacturing sector.pl_PL
dc.referencesBarska, Joanna (2012). “Staccato czy asyndeton? Kilka uwag o ‘umuzycznionej’ prozie powieściowej (na marginesie Syren Joyce’a)”. Acta Universitatis Lodziensis. Folia Litteraria Polonica 16 (2): “Muzyka i muzyczność w literaturze od Młodej Polski do czasów najnowszych” 2: 7–33.pl_PL
dc.referencesBeach, Sylvia (1959). Shakespeare and Company. New York: Harcourt.pl_PL
dc.referencesBowen, Zack (1995). Bloom’s Old Sweet Song: Essays on Joyce and Music. Gainesville: University Press of Florida.pl_PL
dc.referencesBudgen, Frank (1963). “James Joyce”. In: James Joyce: Two Decades of Criticism. Ed. Eugene Jolas. (19–27). New York: The Vanguard Press.pl_PL
dc.referencesGilbert, Stuart (1963). James Joyce’s Ulysses. New York: Random House.pl_PL
dc.referencesHodgart, Matthew J. C. and Ruth Bauerle (1997). Joyce’s Grand Operoar: Opera in Finnegans Wake. Urbana and Chicago: University of Illinois Press.pl_PL
dc.referencesHodgart, Matthew, and Mabel Worthington (1959). Song in the Works of James Joyce. New York: Columbia University Press.pl_PL
dc.referencesJoyce, James (1961). Ulysses: The Corrected Text. Eds. Hans Walter Gabler, Wolfhard Steppe, and Claus Melchior. New York: Random House.pl_PL
dc.referencesMartin, Timothy (2009). “Music”. In: James Joyce in Context. Ed. John McCourt. (275–284). Cambridge: Cambridge University Press.pl_PL
dc.referencesPotts, Willard (ed.) (1979). Portraits of the Artist in Exile: Recollections of James Joyce by Europeans. Dublin: Wolfhound Press.pl_PL
dc.referencesPuchalska, Iwona (2007). “‘Majsterkowanie’ Mozartem. Dziadów część III a Don Giovanni”. Wielogłos 1–2: 69–80.pl_PL
dc.referencesWiegandt, Ewa (2002). “Problem tzw. muzyczności prozy powieściowej XX wieku”. In: Muzyka i literatura. Ed. Andrzej Hejmej. (63–64). Kraków: Universitas.pl_PL

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