A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film

Uchman, Jadwiga

dc.contributor.author	Uchman, Jadwiga
dc.contributor.editor	Deckert, Mikołaj
dc.contributor.editor	Kocot, Monika
dc.contributor.editor	Majdzińska-Koczorowicz, Aleksandra
dc.date.accessioned	2021-10-26T11:18:30Z
dc.date.available	2021-10-26T11:18:30Z
dc.date.issued	2020
dc.identifier.citation	Uchman J., A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 279-294, doi: 10.18778/8220-191-8.19	pl_PL
dc.identifier.isbn	978-83-8220-191-8
dc.identifier.uri	http://hdl.handle.net/11089/39556
dc.language.iso	en	pl_PL
dc.publisher	Łódź University Press	pl_PL
dc.relation.ispartof	Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.title	A Philosophical Debate on the Screen – Bishop Berkeley’s Esse Est Percipi and Samuel Beckett’s Film	pl_PL
dc.type	Book chapter	pl_PL
dc.page.number	279-294	pl_PL
dc.contributor.authorAffiliation	Państwowa Wyższa Szkoła Zawodowa w Płocku	pl_PL
dc.identifier.eisbn	978-83-8220-192-5
dc.contributor.authorBiographicalnote	Jadwiga Uchman, Professor Emerita, former Head of the Department of Studies in Drama and Pre-1800 English Literature, at the University of Łódź. Professor Uchman’s field of study is modern English drama, especially poetic drama, theatre of the absurd, T. S. Eliot, Samuel Beckett, Harold Pinter and Tom Stoppard. She is the author of The Problem of Time in The Plays of Samuel Beckett (Lodz University Press, 1987), Reality, Illusion, Theatricality: A Study of Tom Stoppard (Lodz University Press, 1998) and Samuel Beckett, Harold Pinter, Tom Stoppard: Playwrights and Directors (Lodz University Press, 2012).	pl_PL
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dc.references	Gontarski, Stanley E. (1985b). “Appendix A. Beckett on Film”. In: Stanley E. Gontarski. The Intent of Undoing in Samuel Beckett’s Dramatic Texts. (187–192). Bloomington: Indiana University Press.	pl_PL
dc.references	Gontarski, Stanley E. (2006). “Greying the Canon: Beckett in Performance”. In: Beckett after Beckett. Eds. Stanley E. Gontarski and Anthony Uhlmann. (141–157). Gainesville: University Press of Florida.	pl_PL
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dc.references	Uchman, Jadwiga (2012). “Sameness and Change of Human Identity – A Study of Samuel Beckett’s Krapp’s Last Tape”. In: Ex-changes. Comparative Studies in British and American Cultures. Eds. K. Więckowska and E. Lorek-Jezińska. (8–20). Newcastle upon Tyne: Cambridge Scholars Publishing.	pl_PL
dc.references	Uchman, Jadwiga (2013). “George Berkeley’s esse est percipi and Martin Buber’s I-Thou relationship in Samuel Beckett’s oeuvre”. PASE.	pl_PL
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dc.identifier.doi	10.18778/8220-191-8.19