La transcreazione nei testi delle canzoni : la canzone straniera nelle voci italiane da Riccardo del Turco a Claudio Lolli
| dc.contributor.author | Velez, Antonino | |
| dc.contributor.editor | Lipińska, Magdalena | |
| dc.contributor.editor | Szeflińska-Baran, Magdalena | |
| dc.date.accessioned | 2022-08-25T16:04:20Z | |
| dc.date.available | 2022-08-25T16:04:20Z | |
| dc.date.issued | 2022 | |
| dc.identifier.citation | Velez A., La transcreazione nei testi delle canzoni : la canzone straniera nelle voci italiane da Riccardo del Turco a Claudio Lolli, [w:] L’art de vivre, de survivre, de revivre. Approches linguistiques. Le 50e anniversaire des études romanes à l’Université de Łódź, Lipińska M., Szeflińska-Baran M. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2022, s. 313-323, https://doi.org/10.18778/8220-879-5.25 | pl_PL |
| dc.identifier.isbn | 978-83-8220-879-5 | |
| dc.identifier.uri | http://hdl.handle.net/11089/42956 | |
| dc.description.abstract | There are different ways of translating popular songs or pop music. They can be translated for a volume that collects lyrics only to be read, to understand the meaning of the song’s message. If the song must be translated to be sung, for the performance, and you do not want to change the music, the only way to go is that of adaptation, in the appropriate choice of rhyming words that must adapt to the musical, mask (Low 2008). Our thesis, supported by three original case studies whose results we will study in the transition from a foreign language to Italian, is that this adaptation can coincide with what is now called transcreation. | pl_PL |
| dc.language.iso | it | pl_PL |
| dc.publisher | Presses Universitaires de Łódź | pl_PL |
| dc.relation.ispartof | Lipińska M., Szeflińska-Baran M. (red.), L’art de vivre, de survivre, de revivre. Approches linguistiques. Le 50e anniversaire des études romanes à l’Université de Łódź, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2022; | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.subject | transcreation | pl_PL |
| dc.subject | music | pl_PL |
| dc.subject | translation | pl_PL |
| dc.title | La transcreazione nei testi delle canzoni : la canzone straniera nelle voci italiane da Riccardo del Turco a Claudio Lolli | pl_PL |
| dc.title.alternative | Transcreation in the lyrics of songs : the foreign songs in Italian voices from Riccardo del Turco to Claudio Lolli | pl_PL |
| dc.type | Book chapter | pl_PL |
| dc.rights.holder | © Copyright by Authors, Łódź 2022; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2022 | pl_PL |
| dc.page.number | 313-323 | pl_PL |
| dc.contributor.authorAffiliation | Università di Palermo, dipartimento di Scienze Umanistiche, Viale delle Scienze, Ed. 12, 90 128 Palermo. | pl_PL |
| dc.identifier.eisbn | 978-83-8220-880-1 | |
| dc.contributor.authorBiographicalnote | Professore associato presso il dipartimento di Scienze Umanistiche dell’Università di Palermo, si occupa di traduzione a 360 gradi : da quella letteraria ai fumetti, passando per il multimediale e multimodale, cinema (sottotitolaggio) e musica. Collabora con alcuni istituti di ricerca esteri e in particolare con il CAER di Aix-en-Provence (M.me Sophie Saffi) e con l’Università della Borgogna. | pl_PL |
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| dc.contributor.authorEmail | antonino.velez@unipa.it | pl_PL |
| dc.identifier.doi | 10.18778/8220-879-5.25 | |
| dc.discipline | językoznawstwo | pl_PL |
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