Postkolonialne hybrydy. Współcześni artyści nigeryjscy wobec problemu tożsamości i historii

Baka-Theis, Małgorzata

dc.contributor.author	Baka-Theis, Małgorzata
dc.contributor.editor	Pawłowska, Aneta
dc.contributor.editor	Sowińska-Heim, Julia
dc.date.accessioned	2022-09-01T12:26:32Z
dc.date.available	2022-09-01T12:26:32Z
dc.date.issued	2016
dc.identifier.citation	Baka-Theis M., Postkolonialne hybrydy. Współcześni artyści nigeryjscy wobec problemu tożsamości i historii, [w:] Sztuka Afryki. Afrykańska tradycja – afrykańska nowoczesność, Pawłowska A., Sowińska-Heim J. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2016, s. 157-179, https://doi.org/10.18778/8088-321-5.07	pl_PL
dc.identifier.isbn	978-83-8088-321-5
dc.identifier.uri	http://hdl.handle.net/11089/43041
dc.description.abstract	Contemporary artists, who came from Nigeria, live between the western world and Africa. The article discusses some problems related postcolonial history and artistic and hybridized identity in the creativity of Yinka Shonibare, Sokari Douglas Camp and Ruby Onyinyechi Amanze. These artists use the western resources of artistic expression, motives and formal solutions. But in their artworks is contained “Africanness”. They take issues of ethnic, political and social identity, and some problems of economic, ecological correlation Africa (Nigeria) with West. Yinka Shonibare and Sokari Douglas Camp emigrated to Great Britain in 80s during the Civil War in Nigeria. Ruby Onyinyechi Amanze grew up in the Great Britain and United States. Their identity is hybridized; their identity consists of elements of western and nigerian culture. Shonibare, Camp and Amanze make reframing global culture, visualize colonial history, while stressing own identity and origin.	pl_PL
dc.description.sponsorship	Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00. Publikacja dofinansowana przez Fundację Uniwersytetu Łódzkiego oraz Katedrę Historii Sztuki Uniwersytetu Łódzkiego.	pl_PL
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl_PL
dc.relation.ispartof	Pawłowska A., Sowińska-Heim J. (red.), Sztuka Afryki. Afrykańska tradycja – afrykańska nowoczesność, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2016;
dc.rights	Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*
dc.subject	artworks	pl_PL
dc.subject	modern Nigerian artists	pl_PL
dc.subject	“Africanness”	pl_PL
dc.subject	western culture	pl_PL
dc.subject	nigerian culture	pl_PL
dc.subject	colonial history	pl_PL
dc.subject	Africa	pl_PL
dc.title	Postkolonialne hybrydy. Współcześni artyści nigeryjscy wobec problemu tożsamości i historii	pl_PL
dc.title.alternative	Post-colonial hybrids – modern Nigerian artists against the problem of colonial history of Africa	pl_PL
dc.type	Book chapter	pl_PL
dc.rights.holder	© Copyright by Authors, Łódź 2016; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2016	pl_PL
dc.page.number	157-179	pl_PL
dc.contributor.authorAffiliation	Uniwersytet Mikołaja Kopernika w Toruniu	pl_PL
dc.identifier.eisbn	978-83-8088-322-2
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dc.identifier.doi	10.18778/8088-321-5.07
dc.discipline	nauki o sztuce	pl_PL