dc.contributor.author | Wysocki, Michał | |
dc.date.accessioned | 2014-05-26T09:45:31Z | |
dc.date.available | 2014-05-26T09:45:31Z | |
dc.date.issued | 2009 | |
dc.identifier.issn | 0208-6107 | |
dc.identifier.uri | http://hdl.handle.net/11089/4630 | |
dc.description.abstract | The paper concerns the question deals with the issue of the mode of existence of musical
work. The text consists of two parts. The first, describes difficulties connected with treatment of
compositions as purely intentional objects. The second, presents the proper existence mode of
a piece of music. | pl_PL |
dc.language.iso | pl | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Acta Universitatis Lodziensis, Folia Philosophica;22/2009 | |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.title | Sposób istnienia utworu muzycznego | pl_PL |
dc.title.alternative | The mode of existence of a musical work | pl_PL |
dc.type | Article | pl_PL |
dc.page.number | 149-159 | pl_PL |
dc.contributor.authorAffiliation | Instytut Filozofii, Uniwersytet Łódzki | pl_PL |