Od e-poematu do interaktywnego dzieła sztuki. Konwergencja mediów na przykładzie Spod Zenona Fajfera i The Suprising Spiral Kena Feingolda
Abstract
The text, using the example of a work belonging to the literary style (But Eyeing Like
Ozone Whole by Zenon Fajfer) and the interactive art (the installation The Surprising
Spiral by Ken Feingold) analyses the idiosyncracy of works positioning themselves at the
borderland of media and literature, works both literary (textual, narrative and poetic) as
well as media ones (changeable, iconic, set in a computer program, double-indirect), paying
attention to the meaningfulness of the disciplines borderland (in this case literary
and media studies). The author stresses the reasonableness of the question asked by Katarzyna
Bazarnik, whether, by accident, Darwin’s evolution of species continues. In the
author’s opinion, based on her observation of works belonging to the literary style and
the discussed work The Surprising Spiral by Ken Feingold, this question should get a positive
answer. And possibly, as an effect of initiation, which has already happened, we
will soon be entering the museum-gallery space not only in order to look but also to read.
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