Radio, seen as an accompanying medium needs to participate in the evolution of needs: change its style, create new forms of mutual relations, make use of a multitude of genres resulting from its multimedia status. In a ...

In the article I focus on the works of Tadeusz Różewicz presented on Polish Radio, of which the most numerous are the works of dramatic art adapted for radio, such as: Akt przerywany [The Interrupted Act], Białe małżeństwo ...

Shortly after its invention, radio began to be used for political broadcasting with an international range. It was used to exercise power at a distance, sending messages to overseas diplomatic outposts or colonial territories. ...

In accordance with the Act on radiophony and television a public broadcaster, such as the regional broadcasters of Polish Radio, is required to fulfil the so-called public mission. One important element of the programme ...

The article deals with the complicated fates of my radio drama Podróż na Księżyc [Journey to the Moon]. In it, I write about the inspiration I drew from the work on an article about the subject of death in early silent ...

Almost one hundred years ago radio introduced mediated aurality to social communications. This revealed the aural dimension of culture and itself became a powerful part of the audiosphere. This democratised access to ...

Despite the already widespread constatations on the subject of the blurring of genres in the new media [or “new new media”, as Paul Levinson has it], despite attempts to find a nomenclature able to cope with the transformations ...

Radio as a sound medium, as elaborated in the typical definition of it, constitutes an integral component of the human audiosphere. Human culture is, at source, oral in nature. Orality, a huge category that operates outside ...

The author takes up the question of the narrativity of the artistic radio message that is radio documentary. It looks at documenatry from the perspective of psychological research on storytelling. Hence it considers the ...