Проблема личности в контексте исторической памяти: чеховские аллюзии в комедии Н. Рудковского «Дожить до премьеры»

Abstract

The article deals with the analysis of the semantic relations of a modern playwright N. Rudkovsky with Chekhov’s comedies. The self-consciousness of a person in Chekhov’s drama is directly connected with the historic memory, and this idea is interpreted in Rudkovsky’s works through the theatrical experiment, allowing for the actresses to go through war as a personal experience, and for the spectators – to set right “the joint” of time.