Dreptanie. Tadeusz Peiper i kino (po 1945 roku)
Streszczenie
The article deals with Tadeusz Peiper’s film writings (1947–1963). His constructivist theory was mainly concerned with the formal aspects of the cinema (color, sound). However, a very important role was played by nostalgy for harmony and community (Ferdinand Tönnies). It was articulated in the spirit similar to Martin Buber’s philosophy.
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