By the late 1920s in Europe new art directions were regarded as already completed phenomena, a part of “avant-garde tradition.” Such views were expressed by Jean Arp and El Lissitzky’s in their book Kuntismen (1925), and ...

This article considers the principles of Debora Vogel’s artistic project in the context of reflecting on the transformations of the late modern experience. Among the transformations, the one I consider key is the shift ...