Acta Universitatis Lodziensis. Folia Litteraria Rossica: Ostatnio dodane
Wyświetlanie pozycji 301-320 z 368
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Шекспировские римейки в современной российской драме
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article addresses postmodern plays by recent Russian playwrights, which use the plot of Shakespeare’s “Hamlet”, such as L. Petrushevskaya, B. Akunin, V. Korkiya and brothers Presnyakov. It demonstrates different ... -
Метаморфозы Дон Жуана в русской драматургии 1970–1980 гг. Продолжение или смерть вечного образа?
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The aim of this article was to analyze the theme of the old Don Juan in two dramas of 1970–1980 – “Don Juan continued” by E. Radzinsky and “The Death of Don Juan” by V. Poutcheglazov to show modifications in the character ... -
Рецепция романтических моделей в драматургии эпохи постмодерна (на материале пьесы Дмитрия Липскерова „Семья уродов”)
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article shows how the romantic type of artistic mentality manifests itself in postmodern epoch. The main goal here is to study the reception of romantic plot, romantic heroes and conflict on the basis of Dmitriy ... -
Концепт войны: от истории к мифологии („Пир победителей” Александра Солженицына и „Марьино поле” Олега Богаева)
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article deals with the comparative analysis of two plays, “The Winners’ Feast” by Aleksandr Solzhenitsyn and “Maria’s Field” by Oleg Bogayev which, being united by the war theme, belong to different generations. More ... -
Powrót do korzeni. Władimira Sorokina język pozarozumowy
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article is an attempt to show connections of Vladimir Sorokin with OBERIU’s tradition as well as Russian futurism. The dramatist experiments with language creating his own version of postmodern zaum, thanks to that he ... -
Жизнь, зависшая в цитатах. О комедии Олега Богаева „Как я съела мужа”
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)Citationality and intertextual combining of the new ‘New Drama’ form a central device of contemporary dramatic arts. In his comedy “How I Ate My Husband” (2009) Bogaev takes citationality to extremes and lucidly demonstrates ... -
Использование известных сюжетов в русской эпической драме ХХ века
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article by V. Golovchiner examines the usage of a well-known cultural material in the Russian drama. The author distinguishes three types among its formats in Russian drama of the twentieth century. V. Mayakovsky’s ... -
„...i o niczym nie myśli”. Dramaturgia pustki Pawła Priażki
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article presents an analysis of genre transformations in the literary output of Pavel Pryazhko, who has been considered to be a leader of the youngest generation of Russia’s New Drama movement. Following a series of ... -
Воплощение мифа о смерти и возрождении (на основе пьесы Ивана Вырыпаева „Июль”)
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)This article concerns Russian modern drama, exactly the work of one of its most world famous representatives – Ivan Vyrypaev, 37-year-old actor, theatre and film director and playwright. The drama “July” by Ivan Vyrypaev ... -
Современная русская поэзия на театральных подмостках. Поэтический спектакль „Вера Павлова. Стихи о любви”
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article is devoted to the trilogy of Eduard Boyakov, artistic director of the Moscow theatre “Praktika” and artistic director of “Polytheatre”, based on the poems of contemporary Russian poets Yelena Fanaylova, Vera ... -
Od „nowego realizmu” ku poszukiwaniom awangardowym. Kilka uwag o współczesnej dramaturgii rosyjskiej
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article gives us some insight into the subsequent phases of development of contemporary Russian dramaturgy, which is illustrated by works of selected authors. For over two decades a new generation of playwrights has ... -
„Тупые, дикие, идиоты” a nowy teatr w Rosji na przełomie XX i XXI wieku
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)In the Russian theatre, especially the postmodern one, since the turn of the 80s and 90s we have been able to observe that young theatre creators tend to adopt a defiant derisive attitude – both towards reality and to texts ... -
Россия в зеркале современной драмы. Коллаж образа
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)This paper attempts to reconstruct the image of present-day Russia, as presented in the contemporary Russian theatre. Combining isolated fragments of new post-perestroika reality into a cohesive whole: the social status ... -
Cовременная русская рама: радиции и инновации
(Wydawnictwo Uniwersytetu Łódzkiego, 2013) -
Olega i Władimira Priesniakowów postmodernistyczne gry (z) Biblią
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The article presents an attempt to discuss the place and the role of the Bible in Oleg and Vladimir Presnyakov`s oeuvre on the example of Before the Flood. The author places the meaning of the symbols, motives, pictures ... -
Z problematyki przekładu starej literatury kręgu Slavia Orthodoxa na język polski (cz. 2)
(Primum Verbum, 2010)To the problems of translation of the Old Church Slavonic into Polish (part 2). The text constitutes the second part of the publication cycle addressing the problems of translation of the Old Church Slavonic literature ... -
Львовская поэтическая школа: история и поэтика группы
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The main purpose of this article is to present the scientific community of the Lvov poetry school and to describe its history, members and the main concepts of their poetic manner. -
"Ostatni dzień Don Juana" Stanisława Rzewuskiego. Źródła i inspiracje
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The aim of this article is to analyze possible literary influence on the drama The Last Day of Don Juan`s Life by the Polish writer S. Zhevusky. We took into consideration the biography of Zhevusky and the detailed ... -
"Моцарт и Cальери" в поле интертекстуальных игр
(Wydawnictwo Uniwersytetu Łódzkiego, 2013)The reception of Alexander Pushin’s ‘little tragedy’ Mozart and Salieri – that was originally meant as a dramatic study of envy – by the Russian literary and theatre scholars, has tended to move in the direction of ...