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A Sociosemiotic Analysis of Fugard’s My Children! My Africa!
(Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, 2016)
This essay presents a sociosemiotic analysis of My Children! My Africa! (1989) by Athol Fugard. By considering the characters’ views about self, community, education, and time, it points to the Fugard’s anxious attempt ...
Drunken Language, Elliptical Politics: Caryl Churchill’s Oblique Protest Theatre
(Wydawnictwo Uniwersytetu Łódzkiego, 2018)
Can “political theatre” exist in today’s political climate? In the last few decades, our understanding of politics and theatre has undermined the basis on which prior generations of artists conceived of both politics and ...