| dc.contributor.author | Olkusz, Piotr | |
| dc.date.accessioned | 2018-06-14T08:13:50Z | |
| dc.date.available | 2018-06-14T08:13:50Z | |
| dc.date.issued | 2014-10 | |
| dc.identifier.uri | http://hdl.handle.net/11089/25107 | |
| dc.description.abstract | The seventeenth century in France is often regarded as the age of rhetoric - but different writers cultivated different kinds of rhetorical art. One of the main aesthetic disputes of that time – between Ancients and Moderns – may be described from the perspective of their different approaches to rhetoric. In this specification the theory of Belgian philosopher Michel Meyer may be useful.
Research financed by Polish National Centre Science (KBN; DEC --2012/04/S/HS2/00161) | pl_PL |
| dc.description.sponsorship | Research financed by Polish National Centre Science (KBN; DEC --2012/04/S/HS2/00161) | pl_PL |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Dialog | pl_PL |
| dc.relation.ispartofseries | Dialog;10 | |
| dc.subject | Molière | pl_PL |
| dc.subject | French Theatre | pl_PL |
| dc.subject | Charles Perrault | pl_PL |
| dc.subject | Philippe Quinault | pl_PL |
| dc.subject | Académie Française | pl_PL |
| dc.title | Absolutyzm i Akademia | pl_PL |
| dc.title.alternative | ABSOLUTISM AND ACADEMY | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 84-95 | pl_PL |
| dc.contributor.authorAffiliation | Uniwersytet Łódzki | pl_PL |
| dc.contributor.authorEmail | piotr.olkusz@uni.lodz.pl | pl_PL |
