Show simple item record

Prolegomena to the Christian Images Not Made by Human Hands

dc.contributor.authorGogola, Matej
dc.date.accessioned2019-02-26T13:28:11Z
dc.date.available2019-02-26T13:28:11Z
dc.date.issued2018
dc.identifier.issn2084-140X
dc.identifier.urihttp://hdl.handle.net/11089/26924
dc.description.abstractImages not made by human hands (acheiropoietai, Gr. ἀχειροποίηταιι) played a significant role in Byzantine spiritual culture and history. This paper discusses the emergence and rise of the acheiropoietai, which represented a most important and unusual element in the Byzantine Empire. The author analyses the chronological ancestors of Christian images not made by human hands, i.e. the so-called diipetes (Gr. Διιπετής), and proceeds to demonstrate the disagreements on the topic among some of the Christian Church Fathers. The imagines imperiales, i.e. effigies of Roman emperors, constituted a significant factor in the process leading to the later veneration of images not made by human hands. The most famous of the latter is the image from Edessa, also known in historiography as Mandylion of Edessa.en_GB
dc.description.sponsorshipPublication of English-language versions of the volumes of the yearly Studia Ceranea financed through contract no. 501/1/P-DUN/2017 from the funds of the Ministry of Science and Higher Education devoted to the promotion of scholarship.en_GB
dc.language.isoenen_GB
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen_GB
dc.relation.ispartofseriesStudia Ceranea;8
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.en_GB
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0en_GB
dc.subjectByzantine spiritual cultureen_GB
dc.subjectByzantine historyen_GB
dc.subjectimages not made by human handsen_GB
dc.subjectacheiropoietaien_GB
dc.titleProlegomena to the Christian Images Not Made by Human Handsen_GB
dc.typeArticleen_GB
dc.page.number121-137
dc.contributor.authorAffiliationInstitute of Social Medicine and Medical Ethics, Faculty of Medicine, Comenius University in Bratislava, Sasinkova 2, 813 72 Bratislava, Slovakia
dc.identifier.eissn2449-8378
dc.referencesAndreas Cretensis, De sanctarum imaginum veneratione, [in:] Patrologiae cursus completus, Series graeca, vol. XCVII, ed. J.-P. Migne, Paris 1865, col. 1301–1304.en_GB
dc.referencesApophthegmata patrum, [in:] Patrologiae cursus completus, Series graeca, vol. LXV, ed. J.-P. Migne, Paris 1864, col. 71–442.en_GB
dc.referencesBasilius Magnus, Liber de spiritu sancto, [in:] Patrologiae cursus completus, Series graeca, vol. XXXII, ed. J.-P. Migne, Paris 1886, col. 67–218.en_GB
dc.referencesCassius Dio, Historia Romana, vol. V, ed. L.A. Dindorf, Lipsiae 1865 [= Bibliotheca scriptorum Graecorum et Romanorum Teubneriana].en_GB
dc.referencesConstantine Porphyrogenitus, De ceremoniis aulae Byzantinae, vol. I, ed. J.J. Reiske, Bonn 1929.en_GB
dc.referencesEuripides, Iphigenia in Tauris, trans. R. Potter, London 1814.en_GB
dc.referencesIrenaeus, Contra haereses libri quinque, [in:] Patrologiae cursus completus, Series graeca, vol. VII, ed. J.-P. Migne, Paris 1857, col. 433–1224.en_GB
dc.referencesJoannes Damascenus, Contra imaginum calumniatores orationes tres, ed. B. Kotter, Berlin 1975 [= Patristische Texte und Studien, 17].en_GB
dc.referencesJoannes Malalas, Chronographia, ed. L. Dindorfii, Bonnae 1831 [= Corpus scriptorum historiae Byzantinae].en_GB
dc.referencesNicephorus Callistus Xanthopoulos, Historia ecclesiastica, XV–XVIII, [in:] Patrologiae cursus completus, Series graeca, vol. CXLVII, ed. J.-P. Migne, Paris 1865, col. 9–448.en_GB
dc.referencesOrigo Constantini imperatoris sive Anonymi Valesiani pars prior, [in:] Chronica Minora, saec. IV, V, VI, VII, ed. T. Mommsen, Berolini 1892.en_GB
dc.referencesPausanias, Graeciae descriptio, vol. I, Lipsiae 1829.en_GB
dc.referencesPlutarchos, Životopisy slávnych Grékov a Rimanov, vol. II, trans. D. Škoviera, P. Kuklica, Bratislava 2008.en_GB
dc.referencesThe Sayings of the Desert Fathers, trans. B. Ward, Kalamazoo 1984.en_GB
dc.referencesScriptores originum Constantinopolitanarum, rec. T. Preger, Lipsiae 1907.en_GB
dc.referencesSeverianus Gabalensis, De mundi creatione, [in:] Patrologiae cursus completus, Series graeca, vol. LVI, ed. J.-P. Migne, Paris 1859, col. 429–500.en_GB
dc.referencesStrabo, Geographica, rec. A. Meineke, Lipsiae 1877.en_GB
dc.referencesTacitus, Z dějin cisařskeho Řima. Dějiny, trans. A. Minařík, A. Hartmann, V. Bahník, Praha 1976.en_GB
dc.referencesTertullianus, De idolatria, ed. J.H. Waszink, J.C.M. van Winden, Leiden 1987 [= Supplements to Vigiliae Christianae, 1].en_GB
dc.referencesTheodoros Anagnostes, Kirchengeschichte, ed. G.C. Hansen, Berlin 1971 [= Die griechischen christlichen Schriftsteller der ersten drei Jahrhunderte, 54].en_GB
dc.referencesAlexander P.J., Hypatius of Ephesus: A Note on Image Worship in the Sixth Century, “The Harvard Theological Review” 45, 1952, p. 177–184.en_GB
dc.referencesThe Art of the Byzantine Empire 312–1453, ed. C. Mango, Toronto–London 1986.en_GB
dc.referencesAvenarius A., Byzantský ikonoklazmus, 726–843. Storočie zapasu o ikonu, Bratislava 1998.en_GB
dc.referencesAvenarius A., Učenie Jána z Damašku o ikone: K problému stredovekého symbolizmu, “Historický časopis” 46, 1998, p. 79–93.en_GB
dc.referencesBelting H., Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst, München 1990.en_GB
dc.referencesBelting H., In Search of Christ’s Body. Image or Imprint?, [in:] The Holy Face and the Paradox of Representation. Papers from a Colloquium Held at the Bibliotheca Hertziana, Rome and the Villa Spelman, Florence, 1996, ed. H.L. Kessler, G. Wolf, Bologna 1998, p. 1–11.en_GB
dc.referencesBennet F., A Study of the WordΞόανον, “American Journal of Archaeology” 21, 1917, p. 8–21.en_GB
dc.referencesBrubaker L., Conclusion: Image, Audience and Place: Interaction and Reproduction, [in:] The Sacred Image. East and West, ed. R. Ousterhout, L. Brubaker, Urbana 1995 [= Illinois Byzantine Studies, 4], p. 204–220.en_GB
dc.referencesBrubaker L., The Sacred Image, [in:] The Sacred Image. East and West, ed. R. Ousterhout, L. Brubaker, Urbana 1995 [= Illinois Byzantine Studies, 4], p. 1–24.en_GB
dc.referencesBrubaker L., Haldon J.F., Byzantium in the Iconoclast Era c. 680–850. A History, Cambridge 2011.en_GB
dc.referencesBugar I.M., Zacchaeus and Veneration of Images: Image of the Emperor – Image of a Saint, [in:] Studia Patristica, vol. XXXIV, ed. M. Wiles, E. Yarnold, P. Parvis, Louvain 2001, p. 11–22.en_GB
dc.referencesCameron A., The Language of Images: The Rise of Icons and Christian Representation, “Studies in Church History” 28, 1992, p. 1–42.en_GB
dc.referencesCormack R., Miraculous Icons in Byzantium and Their Powers, “Arte Cristiana” 76, 1988, p. 55–60.en_GB
dc.referencesDéerJ., Der Globus des spätrömischen und des byzantinischen Kaisers. Symbol oder Insigne?, “Byzantinische Zeitschrift” 54, 1961, p. 53–85.en_GB
dc.referencesDobschütz E. von, Christusbilder. Untersuchungen zur christlichen Legende, Leipzig 1899 [= Texte und Untersuchungen zur Geschichte der altchristlichen Literatur, 18].en_GB
dc.referencesEastmond A., Between Icon and Idol: The Uncertainty of Imperial Images, [in:] Icon and Word. The Power of Images in Byzantium, ed. A. Eastmond, L. James, Aldershot 2003, p. 73–85.en_GB
dc.referencesFrankfurter D., Religion in Roman Egypt. Assimilation and Resistance, Princeton–Chichester 1998.en_GB
dc.referencesFrisk H., Griechisches Etymologisches Wörterbuch, vol. II, Heidelberg 1970.en_GB
dc.referencesGero S., Hypatius of Ephesus on Cult of Images, [in:] Christianity, Judaism and Other Graeco Roman Cults, ed. J. Neusner, M. Smith, Leiden 1975 [= Studies in Judaism in Late Antiquity, 12], p. 208–216.en_GB
dc.referencesGogola M., Mandylion z Edessy. Rukou-nestvorený obraz a jeho miesto v byzantskom umení a duchovnej kultúre, Bratislava 2017.en_GB
dc.referencesGogola M., Narratio de imagine Edessena ako jeden zo základných prameňov v genéze legiend k dejinám edesského obrazu, [in:] Byzantinoslovaca V. Zborník k životnému jubileu Tatiany Štefanovičovej, Bratislava 2014, p. 181–191.en_GB
dc.referencesGrabar А., Imperator v vizantijskom iskusstve, Moskva 2000.en_GB
dc.referencesGradel I., Emperor Worship and Roman Religion, Oxford 2002 [= Oxford Classical Monographs].en_GB
dc.referencesGreek Papyri in the British Museum. Catalogue with Texts, vol. III, ed. F.G. Kenyon, H.I. Bell, Milano 1973.en_GB
dc.referencesGregory C.R., Textkritik des Neuen Testamentes, Leipzig 1900.en_GB
dc.referencesHachlili R., Ancient Jewish Art and Archeology in the Diaspora, Leiden 1998.en_GB
dc.referencesHaldon J.F., Byzantium in the Seventh Century. The Transformation of a Culture, Cambridge 1990.en_GB
dc.referencesHarl K.W., Sacrifice and Pagan Belief in Fifth- and Sixth-Century Byzantium, “Past and Present” 128, 1990, p. 7–27.en_GB
dc.referencesHošek R., Náboženství antického Řecka, Praha 2004.en_GB
dc.referencesHurbanič M., História a mýtus. Avarský útok na Konštantínopol roku 626 v legendách, Prešov 2010.en_GB
dc.referencesHurbanič M., Konstantinopol 626. Poslední bitva antiky, Praha 2016.en_GB
dc.referencesHurbanič M., Konštantínopol, tradícia avarského útoku z roku 626 a posvätné relikvie, “Slavica Slovaca” 44, 2009, p. 106–118.en_GB
dc.referencesJensen R.M., Face to Face. Portraits of the Divine in Early Christianity, Minneapolis 2005.en_GB
dc.referencesKaegi W.E., Byzantium and the Early Islamic Conquest, Cambridge 1992.en_GB
dc.referencesKitzinger E., On Some Icons of the Seventh Century, [in:] Late Classical and Medieval Studies in Honor of Albert Mathias Friend, Jr., ed. K. Weitzmann, Princeton 1955, p. 132–150.en_GB
dc.referencesKitzinger E., The Cult of Images in the Age before Iconoclasm, “Dumbarton Oaks Papers” 8, 1954, p. 83–150.en_GB
dc.referencesKruk M.P., Mandylion, [in:] Encyklopedia Katolicka, vol. XI, ed. S. Wilk et al., Lublin 2006, p. 1135–1137.en_GB
dc.referencesKruk M.P., Sztuka w cesarstwie rzymskim w IV wieku, [in:] Świat rzymski w IV wieku, ed. P. Filipczak, R. Kosiński, Kraków 2015, p. 437–485.en_GB
dc.referencesKruse H., Studien zur offiziellen Geltung des Kaiserbildes im romischen Reiche, Paderborn 1934 [= Studien zur Geschichte und Kultur des Altertums, 19.3].en_GB
dc.referencesLadner G.B., Images and Ideas in the Middle Ages. Selected Studies in History and Art, Roma 1983.en_GB
dc.referencesLiddell H.G., Scott R., A Greek English Lexicon, Oxford 1883.en_GB
dc.referencesLidov A.M., Miracle-Working Icons of the Mother of God, [in:] Mother of God. Representations of the Virgin in Byzantine Art, ed. M. Vassilaki, Milan–London 2000, p. 47–57.en_GB
dc.referencesMitteis L., Wilcken U., Grundzüge und Chrestomathie der Papyruskunde, Hildesheim 1963.en_GB
dc.referencesNoble T.F.X., Images, Iconoclasm, and the Carolingians, Philadelphia 2009.en_GB
dc.referencesPapadopoulos J., Xoana e sphyrelata. Testimonianza delle fonti scritte, Roma 1980.en_GB
dc.referencesPentcheva B.V., Icons and Power. The Mother of God in Byzantium, University Park 2006.en_GB
dc.referencesSanday W., The Text of the Codex Rossanensis, [in:] Studia Biblica. Essays in Biblical Archeology and Criticism and Kindred Subjects, ed. S.R. Driver, W. Sanday, J. Wordsworth, Oxford 1885, p. 103–112.en_GB
dc.referencesSendler E., Ikona. Obraz neviditelneho, Olomouc 2011.en_GB
dc.referencesShaw I., Dějiny starověkého Egypta, trans. D. Feltová, Brno 2003.en_GB
dc.referencesStemberger G., Klasické židovství. Kultura a historie rabínské doby, Praha 2011.en_GB
dc.referencesTrilling J., The Image Not Made by Hands and the Byzantine Way of Seeing, [in:] The Holy Face and the Paradox of Representation. Papers from a Colloquium Held at the Bibliotheca Hertziana, Rome and the Villa Spelman, Florence, 1996, ed. H.L. Kessler, G. Wolf, Bologna 1998, p. 109–127.en_GB
dc.referencesWolf G., Salus Populi Romani. Die Geschichte römischer Kultbilder im Mittelalter, Weinheim 1990.en_GB
dc.contributor.authorEmailmatej.gogola@gmail.com
dc.identifier.doi10.18778/2084-140X.08.07


Files in this item

Thumbnail
Name:
0_7_121-137_Gogola M..pdf
Size:
346.8Kb
Format:
PDF
View/Open

This item appears in the following Collection(s)

Show simple item record

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.
Except where otherwise noted, this item's license is described as This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.