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dc.contributor.authorKobyłecka-Piwońska, Ewa
dc.date.accessioned2013-10-08T14:17:32Z
dc.date.available2013-10-08T14:17:32Z
dc.date.issued2012-04
dc.identifier.issn0028-2677
dc.identifier.urihttp://hdl.handle.net/11089/2719
dc.description.abstractAlthough Gombrowicz’s stay in Argentine has been the object of many meticulous investigations, the critical works dedicated to contemporary Argentinean writers’ debt to the author of Ferdydurke are scarce. The article focuses on the Ricardo Piglia’s interpretation of Gombrowicz, on the way in which he uses him in his own project of literary canon reorganization. According to Piglia, the Polish writer occupies the central place in Argentinean literature, being close, on one hand, to Jorge Luis Borges’ understanding of the national tradition, and on the other, to Roberto Arlt’s conflict rhetorics.pl_PL
dc.description.urihttp://link.springer.com/article/10.1007%2Fs11061-012-9332-2/lookinside/000.png
dc.language.isoespl_PL
dc.publisherSpringerpl_PL
dc.relation.ispartofseriesNeophilologus;April 2013, Volume 97, Issue 2
dc.subjectGombrowiczpl_PL
dc.subjectPigliapl_PL
dc.subjectArltpl_PL
dc.subjectBorgespl_PL
dc.subjectcanonpl_PL
dc.titleRicaro Piglia, lector de Witold Gombrowiczpl_PL
dc.typeArticlepl_PL


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