Pokaż uproszczony rekord

Authoring War Memories: War Memoir Writing and Testimonial Theatre Performances

dc.contributor.authorBellot, Andrea Roxana
dc.date.accessioned2021-07-29T15:21:48Z
dc.date.available2021-07-29T15:21:48Z
dc.date.issued2020-12-30
dc.identifier.issn2353-6098
dc.identifier.urihttp://hdl.handle.net/11089/38321
dc.description.abstractThis paper will discuss aspects concerning authorship, memory, and war representation, as well as trauma and healing. In order to do so, I will explore the writing of war memoirs and/or the re-enactment of war experiences on the stage as two ways of expressing and coping with war trauma. In both cases, the concept of the author, a war veteran as first-person narrator or self-performer, is central to the representation of the traumatic memories of war. It is precisely through this interaction between the author, as a legitimate witness, and source of authentic and reliable information, that the readership/audience connects emotionally with the experience of the combatants and can empathise with their situation. A theoretical conceptualisation of war memoir writing, and testimonial theatre will be illustrated with specific examples of texts connected with the Falklands War (UK-Argentina, 1982). The dominant perspective of the reflection are veterans’ stories.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesAnalyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectwar memoriesen
dc.subjectwitness literatureen
dc.subjecttheatre of testimonyen
dc.subjectre-enacting war experiencesen
dc.subjecttraumaen
dc.subjectautobiographical writingen
dc.subjectwar memoirsen
dc.subjectself-representationen
dc.titleAuthoring War Memories: War Memoir Writing and Testimonial Theatre Performancesen
dc.typeArticle
dc.page.number18-27
dc.contributor.authorAffiliationRovira i Virgili University, Tarragona, Spainen
dc.referencesBaines, Gary. 2017. “Memoir Writing as Narrative Therapy.” In: Dwyer Philip (ed.). War Stories: The War Memoir in History and Literature. New York: Berghahn, 252–76. https://doi.org/10.2307/j.ctvswx6zd.15en
dc.referencesBegley, Jon. 2012. “The Literature of the Falklands/Malvinas War.” In: Adam Piette, and Mark Rawlinson (eds). The Edinburgh Companion to Twentieth-Century British and American War Literature. Edinburgh: Edinburgh University Press, 231–40.en
dc.referencesBlejmar, Jordana. 2017. “Autofictions of Post-war: Fostering Empathy in Lola Arias’ Minefield/ Campo Minado.” Latin American Theatre Review. 50(2): 103–23. https://doi.org/10.1353/ltr.2017.0006en
dc.referencesChou, Mark and Bleiker, Roland. 2010. “Dramatizing War: George Packer and the Democratic Potential of Verbatim Theater.” New Political Science, 32(4): 561–74. https://doi.org/10.1080/07393148.2010.520441en
dc.referencesColleran, Jeanne. 2003. “Disposable Wars, Disappearing Acts: Theatrical Responses to the 1991 Gulf War.” Theatre Journal 55(4): 613–32. https://doi.org/10.1353/tj.2003.0157en
dc.referencesEngdahl, Horace. 2002. “Witness Literature: Philomela’s Tongue. Introductory Remarks on Witness literature.” In Proceedings of the Nobel Centennial Symposium. Stockholm: World Scientific Publishing Co. Pte. Ltd., 1–14. https://doi.org/10.1142/9789812706515_0001en
dc.referencesFarnsworth, J.K., Drescher, K.D., Nieuwsma, J.A., Walser, R.B., and Currier, J.M. 2014. “The Role of Moral Emotions in Military Trauma: Implications for the Study and Treatment of Moral Injury.” Review of General Psychology, 18: 249–62. https://doi.org/10.1037/gpr0000018en
dc.referencesFussell, Paul. 2000 [1975]. The Great War and Modern Memory. 2nd ed. New York: Oxford University Press.en
dc.referencesGaines, Jane M. 1999. “Political Mimesis.” In: J.M. Gaines and M. Renov (eds). Collecting Visible Evidence. Minneapolis: University of Michigan Press, 84–102.en
dc.referencesHarari, Yuval Noah. 2005. “Martial Illusions: War and Disillusionment in Twentieth-Century and Renaissance Military Memoirs.” Journal of Military History 69(1): 43–72. https://doi.org/10.1353/jmh.2005.0023en
dc.referencesHarari, Yuval Noah. 2007. “Military Memoirs: A Historical Overview of the Genre from the Middle Ages to the Late Modern Era.” War in History, 14(3): 289–309. https://doi.org/10.1177/0968344507078375en
dc.referencesHarari, Yuval Noah. 2010. “Armchairs, Coffee and Authority: Eye-witnesses and Flesh-witnesses Speak about War, 1100–2000.” The Journal of Military History, 74(1): 53–78.en
dc.referencesHarber, Kent D. and James W. Pennebaker. 1992. “Overcoming Traumatic Memories.” In: Sven- Ake Christianson (ed.). The Handbook of Emotion and Memory: Research and Theory. Hillsdale: Erlbaum, 359–87.en
dc.referencesHeddon, Deirdre. 2008. Autobiography and Performance. London: Palgrave Macmillan.en
dc.referencesHenke, Suzette A. 1998. Shattered Subjects: Trauma and Testimony in Women’s Life Writing. London: Macmillan Press Ltd.en
dc.referencesHerman, Judith. 1997. Trauma and Recovery: The Aftermath of Violence, from Domestic Abuse to Political Terror. New York: Basic Books.en
dc.referencesHunt, Nigel. 2010. Memory, War and Trauma. Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511845017en
dc.referencesHynes, Samuel. 1998. The Soldier’s Tale: Bearing Witness to Modern War. London: Penguin Books.en
dc.referencesJeffers, Alison. 2006. “Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories.” Platform, 1(1): 1–17.en
dc.referencesJenkings, K. Neil and Rachel Woodward. 2014. “Practices of Authorial Collaboration: The Collaborative Production of the Contemporary Military Memoir.” Cultural Studies ↔ Critical Methodologies, 14(4): 338–50. https://doi.org/10.1177/1532708614530305en
dc.referencesJones, Phil. 2015. “Trauma and Dramatherapy: Dreams, Play and the Social Construction of Culture.” South African Theatre Journal, 28(1): 4–16. https://doi.org/10.1080/10137548.2015.1011897en
dc.referencesKleinreesink, Esmeralda. 2014. On Military Memoirs: Soldier-authors, Publishers, Plots and Motives. Doctoral dissertation. Rotterdam: Erasmus University.en
dc.referencesLukowiak, Ken. 1999. A Soldier’s Song. 2nd ed. London: Phoenix, Orion Books Ltd.en
dc.referencesMalpede, Karen. 1997. “Theatre at 2000: A Witnessing Project.” In: Charles B. Strozier and Michael Flynn (eds). The Year 2000: Essays on the End. New York and London: New York University Press, 299–308.en
dc.referencesMartin, Carol. 2006. “Bodies of Evidence.” The Drama Review (1988-), 50(3): 8–15. https://doi.org/10.1162/dram.2006.50.3.8en
dc.referencesMcGuirk, Bernard. 2007. Falklands-Malvinas: An Unfinished Business. Seattle: New Ventures Editions.en
dc.referencesMcLoughlin, Kate. 2011. Authoring War: The Literary Representation of War from the Iliad to Iraq. Cambridge: Cambridge University Press.en
dc.referencesMiller, James and David Read Johnson. 1997. “Drama Therapy in the Treatment of Combat-related Post-traumatic Stress Disorder.” The Arts in Psychotherapy, 23(5): 383–95. https://doi.org/10.1016/S0197-4556(96)00045-7en
dc.referencesMiller, Jennifer B. 2018. “The Transformative and Healing Power of Theatre of Witness.” The Canadian Journal for the Study of Adult Education, 30(2): 47–56. https://doi.org/10.3138/ctr.176.010en
dc.referencesNazarov, A., Jetly, R., McNeely, H., Kiang, M., Lanius, R., and McKinnon, M.C. 2015. “Role of Morality in the Experience of Guilt and Shame within the Armed Forces.” Acta Psychiatrica Scandinavica, 132: 4–19. https://doi.org/10.1111/acps.12406en
dc.referencesPaget, Derek. 1987. “Verbatim Theatre: Oral History and Documentary Techniques.” New Theatre Quarterly, 3(12): 317–36. https://doi.org/10.1017/S0266464X00002463en
dc.referencesRaman, Raghu. 2019. “The Psychological Toll of Being a Soldier.” The Wire, 13/07/ 2019.en
dc.referencesSasu, Laura. 2013. “Witness Literature: A Conceptual Framework.” Bulletin of the Transilvania University of Brasov. Series IV: Philology and Cultural Studies, 6(55), no. 2: 7–12.en
dc.referencesScott, Joan W. 1991. “The Evidence of Experience.” Critical Inquiry, 17(4): 773–797. https://doi.org/10.1086/448612en
dc.referencesShay, Jonathan. 1994. Achilles in Vietnam: Combat Trauma and the Undoing of Character. New York: Scribner.en
dc.referencesTheatre of Witness. 2017. What is Theatre of Witness? Available at: https://theaterofwitness.org/about/ DOA: January 2021.en
dc.referencesTick, Edward. 2014. Warrior’s Return: Restoring the Soul after Return. Boulder: CO, Sounds True.en
dc.referencesWake, Caroline. 2013. “To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire.” Modern Drama, 56(1): 102–25. https://doi.org/10.3138/md.2012-0465en
dc.referencesWinter, Jay. 2017. War Beyond Words. Cambridge: Cambridge University Press. https://doi.org/10.1017/9781139033978en
dc.referencesWoodward, Rachel and Nail K. Jenkins. 2012. “This place isn’t worth the left boot of one of our boys’: Geopolitics, Militarism and Memoirs of the Afghanistan War.” Political Geography, 31: 495–508.en
dc.contributor.authorEmailandrearoxana.bellot@urv.cat
dc.identifier.doi10.18778/2353-6098.6.03
dc.relation.volume6


Pliki tej pozycji

Thumbnail
Nazwa:
10257-Article_Text-26715-1-10- ...
Rozmiar:
546.7KB
Format:
PDF
Oglądaj/Otwórz

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord

https://creativecommons.org/licenses/by-nc-nd/4.0
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako https://creativecommons.org/licenses/by-nc-nd/4.0