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Love and Theatre in the Works of Nikephoros Basilakes

dc.contributor.authorKotłowska, Anna
dc.date.accessioned2021-08-27T10:00:35Z
dc.date.available2021-08-27T10:00:35Z
dc.date.issued2019-12-30
dc.identifier.issn2084-140X
dc.identifier.urihttp://hdl.handle.net/11089/38875
dc.description.abstractThe article analyzes the rhetorical output of Nikephoros Basilakes, focusing on his use of scenic terminology and the psychological interpretation of myths. The conclusions substantiate the theory that Nikephoros had been part of the imperial theatron before his downfall in the mid-1150s.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesStudia Ceranea. Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europeen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectByzantine novelen
dc.subjectekphrasisen
dc.subjectethopoeiaen
dc.subjectNikephoros Basilakesen
dc.subjectPasiphaëen
dc.subjecttheatre in Byzantiumen
dc.titleLove and Theatre in the Works of Nikephoros Basilakesen
dc.typeArticle
dc.page.number543-574
dc.contributor.authorAffiliationAdam Mickiewicz University in Poznań, Faculty of Historyen
dc.identifier.eissn2449-8378
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dc.contributor.authorEmailanna.kot@amu.edu.pl
dc.identifier.doi10.18778/2084-140X.09.27
dc.relation.volume9


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