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Some Remarks on the Significance of Gold Based on Byzantine Ekphraseis of Works of Art

dc.contributor.authorGarnczarska, Magdalena
dc.date.accessioned2021-08-27T10:02:58Z
dc.date.available2021-08-27T10:02:58Z
dc.date.issued2020-12-23
dc.identifier.issn2084-140X
dc.identifier.urihttp://hdl.handle.net/11089/38897
dc.description.abstractThe abundance of gilding is considered to be a particularly characteristic feature of Byzantine art. This attribute can be confirmed by even a cursory analysis of works of art. In short, Byzantine artists used gold on a large scale, showing great technical skill. It is therefore quite surprising that this issue has not yet received a separate, comprehensive study. Admittedly, researchers recognize the presence of gold but unfortunately, they almost do not go beyond general observations. On the one hand, they emphasize the primary role of the symbolic meanings of gold, and, on the other, they indicate the high material value of this precious metal. These comments are usually very general and their authors rarely refer to specific primary sources. Their observations, however, speak more about present-day ideas about Byzantine culture than about it itself. The indicated problem is an important and extensive task to be done, hence this paper is only an outline of the most important questions, each of which requires a separate and in-depth study. Therefore, this synthetic article introduces the most basic points associated with the understanding of gold in Byzantium. For this purpose, selected examples of Byzantine texts in which their authors referred to gold in a strictly artistic context are analysed. Thus, the main thesis is as follows: in Byzantine painting, gold, one of the most important devices of artistic expression, was used on a large scale primarily for aesthetic reasons.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesStudia Ceranea. Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europeen
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectByzantine aestheticsen
dc.subjectekphrasisen
dc.subjectgildingen
dc.subjectmosaicen
dc.subjectmarbleen
dc.titleSome Remarks on the Significance of Gold Based on Byzantine Ekphraseis of Works of Arten
dc.typeArticle
dc.page.number83-121
dc.contributor.authorAffiliationJagiellonian University, Institute of History of Arten
dc.identifier.eissn2449-8378
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dc.contributor.authorEmailmagdalena.garnczarska@gmail.com
dc.identifier.doi10.18778/2084-140X.10.05
dc.relation.volume10


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