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Shibboleths of Grief: Paul Muldoon’s “The Triumph”

dc.contributor.authorPietrzak, Wit
dc.date.accessioned2021-12-21T18:38:22Z
dc.date.available2021-12-21T18:38:22Z
dc.date.issued2021-11-22
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/40140
dc.description.abstractThe essay explores Paul Muldoon’s elegy for the fellow Northern Irish poet Ciaran Carson with a view to showing that “The Triumph” seeks to evoke a ground where political, cultural and religious polarities are destabilized. As the various intertextual allusions in the poem are traced, it is argued that Muldoon seeks to revise the notion of the Irish shibboleths that, as the poem puts it, “are meant to trip you up.” In lieu of this linguistic and political slipperiness, “The Triumph” situates Carson’s protean invocations of Belfast and traditional Irish music as the new shibboleths of collectivity.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;11en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectPaul Muldoonen
dc.subjectCiaran Carsonen
dc.subjectelegyen
dc.subjectcontemporary Irish poetryen
dc.titleShibboleths of Grief: Paul Muldoon’s “The Triumph”en
dc.typeArticle
dc.page.number51-63
dc.contributor.authorAffiliationUniversity of Lodzen
dc.identifier.eissn2084-574X
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dc.contributor.authorEmailwit.pietrzak@uni.lodz.pl
dc.identifier.doi10.18778/2083-2931.11.04


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