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One Hundred Frogs in Steve McCaffery’s The Basho Variations

dc.contributor.authorKocot, Monika
dc.date.accessioned2021-12-21T18:38:37Z
dc.date.available2021-12-21T18:38:37Z
dc.date.issued2021-11-22
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/40159
dc.description.abstractThe article discusses Steve McCaffery’s The Basho Variations with a focus on various modes of transtranslation/transcreation/transaption of Matsuo Bashō’s famous frog haiku. The emphasis is placed on the complexities (of the processuality) of transtranslation which deliberately alters, distorts and reimagines the source text. The intercultural and intertextual quality of McCaffery’s poems is discussed in the context of multilevel references to classical Japanese aesthetics of haiku writing. The comparative reading of McCaffery’s and Bashō’s texts foregrounds the issue of events, or “frogmentary events,” and the importance of the role of the reader in completing poetic messages.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;11en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjecthaikuen
dc.subjectfrogen
dc.subjectSteve McCafferyen
dc.subjectMatsuo Bashōen
dc.subjecttranslationen
dc.subjecttranscreationen
dc.subjecttranstranslationen
dc.subjecteventen
dc.titleOne Hundred Frogs in Steve McCaffery’s The Basho Variationsen
dc.typeArticle
dc.page.number369-388
dc.contributor.authorAffiliationUniversity of Lodzen
dc.identifier.eissn2084-574X
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dc.contributor.authorEmailmonika.kocot@uni.lodz.pl
dc.identifier.doi10.18778/2083-2931.11.23


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