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dc.contributor.authorHeusghem, Corentin
dc.date.accessioned2022-02-17T13:21:26Z
dc.date.available2022-02-17T13:21:26Z
dc.date.issued2021
dc.identifier.issn1689-4286
dc.identifier.urihttp://hdl.handle.net/11089/40657
dc.description.abstractThé aim of this articlé is to présént a concisé summary and réviéw about thé thésés of Déléuzé on thé rélations bétwéén painting and photography but also about his account of Bacon through thé prism of this quéstion in his book Francis Bacon : Logique de la sensation. This articlé could only bé séén as an introduction and pérhaps an invitation to réad déépér studiés about thé important and numérous links bétwéén Déléuzé's philosophy and art.pl_PL
dc.language.isofrpl_PL
dc.publisherInstytut Filozofii Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesInternetowy Magazyn Filozoficzny HYBRIS;53
dc.subjectartpl_PL
dc.subjectpainting/photographypl_PL
dc.subjectDeleuzepl_PL
dc.subjectsensationpl_PL
dc.subjectrepresentationpl_PL
dc.titleIntroduction aux rapports entre photographie et peinture chez Francis Bacon selon Deleuze (dans Logique de la sensation)pl_PL
dc.title.alternativeThe relation between photography and painting for Francis Bacon according to Deleuze (in The Logic of Sensation)pl_PL
dc.typeArticlepl_PL
dc.page.number56-78pl_PL
dc.referencesDéléuzé, G., (1968). Différence et répétition, Paris: PUF (Préssés Univérsitairés dé Francé)pl_PL
dc.referencesDéléuzé, G., (2002). Francis Bacon Logique de la sensation. Paris: Séuilpl_PL
dc.referencesRusséll, J., (1994). Francis Bacon, Paris: Thamés & Hudsonpl_PL
dc.relation.volume2pl_PL
dc.disciplinefilozofiapl_PL


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