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dc.contributor.authorŻaglewski, Tomasz
dc.date.accessioned2022-10-12T11:25:35Z
dc.date.available2022-10-12T11:25:35Z
dc.date.issued2018
dc.identifier.issn0084-4446
dc.identifier.issn2451-0335
dc.identifier.urihttp://hdl.handle.net/11089/43668
dc.description.abstractThe article is an attempt to understand the need to develop methodological and theoretical tools for defining and underlining the meaning of a comic book’s material quality. Assuming that the modern tactile and sensual aspects of a physical manifestation of the comic book medium are becoming one of its most important specifics, then the author, is trying to explore the scientific consequences of a turn towards focusing on the “materialistic” inside the comic book industry. With full understanding of that matter then a starting point for a discussion can be made about the more general offensive of printed publications against ongoing virtualization, or de-materialization of written texts.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;1
dc.subjectcomic bookpl_PL
dc.subjectgraphic novelpl_PL
dc.subjectmaterialitypl_PL
dc.subjectmediumpl_PL
dc.subjecttactilepl_PL
dc.subjectsensualitypl_PL
dc.titleOd edycji limitowanej do galeryjnej. Wstęp do „materialnej” teorii komiksupl_PL
dc.title.alternativeFrom a Limited Edition to a Gallery Edition. An Introduction to a “Material” Theory of Comic Bookspl_PL
dc.typeArticlepl_PL
dc.page.number127-139pl_PL
dc.contributor.authorAffiliationUniwersytet im. Adama Mickiewicza, Zakład Badań nad Kulturą Filmową i Audiowizualną Instytutu Kulturoznawstwapl_PL
dc.referencesBukatman Scott (2016), Hellboy’s World. Comics and Monsters on the Margins, University of California Press, Oakland.pl_PL
dc.referencesGenette Gerard (1997), Paratexts. Thresholds of Interpretation, Cambridge UP, Cambridge.pl_PL
dc.referencesHague Ian (2014), Comics and the Senses. A Multisensory Approach to Comics and Graphic Novels, Routledge, Nowy Jork.pl_PL
dc.referencesHatfield Charles (2005), Alternative Comics: An Emerging Literature, University Press of Mississippi, Jackson.pl_PL
dc.referencesMcCloud Scott (2015), Zrozumieć komiks, przeł. M. Błażejczyk, Kultura Gniewu, Warszawa.pl_PL
dc.referencesMcLuhan Marshall (2004), Zrozumieć media. Przedłużenia człowieka, przeł. N. Szczucka, Wydawnictwa Naukowo Techniczne, Warszawa.pl_PL
dc.referencesRogers Mark (2012), Political Economy: Manipulating Demand and “The Death of Superman” [in:] Critical Approaches to Comics. Theories and Methods, eds. M.J. Smith, R. Duncan, Routledge, New York.pl_PL
dc.referencesStein Daniel (2016), „Mummified Objects”: Superhero Comics in the Digital Age, „Journal of Graphic Novels and Comics”, no. 7 (3).pl_PL
dc.identifier.doi10.26485/ZRL/2018/61.1/9
dc.relation.volume61pl_PL
dc.disciplineliteraturoznawstwopl_PL


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