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Across the Boundaries of Signs and Media: On Transgeneric Qualities of Selected Contemporary Fiction

dc.contributor.authorLutostański, Bartosz
dc.contributor.editorJakubowska, Małgorzata
dc.date.accessioned2022-10-17T04:58:51Z
dc.date.available2022-10-17T04:58:51Z
dc.date.issued2020
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43737
dc.descriptionThe following article has been proofread by the native speaker of English, Trevor Hill, lecturer of English at the Uni-versity of Warmia and Mazury in Olsztyn.pl_PL
dc.description.abstractThe following article construes the novel as a genre and explores how the innovations of utilizing multiple semiotic resources and media platforms are transforming it these days. With Marisha Pessl’s Night Film (2013) as the primary example I look into the properties of the multimodal and multimedia novel with a view to presenting various ways of transgressing the parameters of the traditional (monomodal and mono-medial) novel. Drawing from L. Elleström’s theory of “modalities of media” I seek to go to the depth of the semiotic and semantic mechanisms of Night Film and argue how the integration of the verbal and the visual renders a new reading experience. Also, on the basis of J.P. Bolter and R. Grusin’s idea of hypermedia I claim that the multiplication of sign systems and media aims at enhancing the ontological illusion.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectgenrepl_PL
dc.subjectmediapl_PL
dc.subjectnovelpl_PL
dc.subjectsemioticspl_PL
dc.subjectmultimodalitypl_PL
dc.subjectmultimediapl_PL
dc.subjectNight Filmpl_PL
dc.subjectPesslpl_PL
dc.titleAcross the Boundaries of Signs and Media: On Transgeneric Qualities of Selected Contemporary Fictionpl_PL
dc.typeArticlepl_PL
dc.page.number57-70pl_PL
dc.contributor.authorAffiliationUniwersytet Warszawski, Instytut Anglistykipl_PL
dc.identifier.eissn2451-0335
dc.referencesBolter Jay David, Richard Grusin (2000), Remediation. Understanding New Media, MIT Press, Cambridge MA.pl_PL
dc.referencesEllestrom Lars (2010), The Modalities of Media: A Model for Understanding Intermedial Relations [in:] Media Borders, Multimodality and Intermediality, ed. Ellestrom L., Palgrave Macmillan, Houndmills.pl_PL
dc.referencesFowler Alastair (1997), Kinds of Literature. An Introduction to the Theory of Genres and Modes, Clarendon Press, Oxford.pl_PL
dc.referencesGibbons Alison (2011), Mulitmodality, Cognition, and Experimental Literature, Routledge, London–New York.pl_PL
dc.referencesGłowiński Michał (2007), Gatunek literacki i problemy poetyki historycznej [in:] Polska genologia literacka, eds. Cudak R., Ostaszewska D., PWN, Warsaw.pl_PL
dc.referencesHallet Wolfgang (2014), The Rise of the Multimodal Novel. Generic Change and Its Narratological Implications [in:] Storyworlds across Media, eds. Ryan M.-L., Thon J.-N., University of Nebraska Press.pl_PL
dc.referencesJenkins Henry (2006), Convergence Culture. Where Old and New Media Collide, New York UP, New York.pl_PL
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dc.referencesLutostański Bartosz (2019), Prolegomena do genologii transmedialnej, “Tekstualia”, vol. 58, no. 3. Media Multimodalne (2018), eds. Hoffman I., Kępa-Figura D., Vol. I and II, Wydawnictwo UMCS, Lublin.pl_PL
dc.referencesMittell Jason (2004), Genre and Television. From Cop Shows to Cartoons in American Culture, Routledge, London–New York.pl_PL
dc.referencesMultimodal Studies. Exploring Issues and Domains (2011), eds. O’Halloran K., Smith B.A., Routledge, London–New York.pl_PL
dc.referencesNorgaard Nina (2010), “Multimodality and the Literary Text: Making Sense of Safran Foer’s Extremely Loud and Incredibly Close.” New Perspectives on Narrative and Multimodality, ed. Page R., Routledge, London–New York.pl_PL
dc.referencesPage Ruth (2010), Introduction [in:] New Perspectives on Narrative and Multimodality, ed. Page R., Routledge, London–New York.pl_PL
dc.referencesPalmer Alan (2008), Realist Novel [in:] Routledge Encyclopedia of Narrative Theory, eds. Herman D., et al., Routledge. Pessl Marisha (2013), Night Film, Random House, New York.pl_PL
dc.referencesPolska genologia (2009), ed. Cudak R., PWN, Warsaw.pl_PL
dc.referencesPolska genologia literacka (2007), eds. Cudak R., Ostaszewska D., PWN, Warsaw.pl_PL
dc.referencesRyan Marie-Laure (2014), Story/Worlds/Media: Tuning the Instruments of a Media Conscious Narratology [in:] Storyworlds across Media, eds. Ryan M.-L., Thon J.-N., University of Nebraska Press, Lincoln–London.pl_PL
dc.referencesSurfiction. Fiction Now… And Tomorrow (1975), ed. Federman R., Swallow Press, Chicago. The Routledge Handbook of Multimodal Analysis (2016), ed. Jewitt C., Routledge, London– New York.pl_PL
dc.identifier.doi10.26485/ZRL/2020/63.2/4
dc.relation.volume63pl_PL
dc.disciplinenauki o kulturze i religiipl_PL


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