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A Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Story

dc.contributor.authorKędra-Kardela, Anna
dc.date.accessioned2022-10-20T14:52:58Z
dc.date.available2022-10-20T14:52:58Z
dc.date.issued2018
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43807
dc.description.abstractBased on an analysis of two Prefaces to Horace Walpole’s The Castle of Otranto. A Gothic Story, the paper offers a cognitive poetics view of paratext, a literary device defined by Genette as “a threshold of interpretation”. Viewed as a symptom of the author’s presence “with-in” and “with-out” text, paratextual information is held to play an important role in text interpretation. It is claimed that a literary work’s interpretation is a result of the speaker/author – hearer/reader meaning negotiation which takes place in the Current Discourse Space (Langacker 2008) and involves intersubjectification, a cognitive process referred to by Langacker as “apprehension of other minds” (Langacker 2007).pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;4
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectcognitive poeticspl_PL
dc.subjectparatextpl_PL
dc.subjectRonald W. Langackerpl_PL
dc.subjectintersubjectificationpl_PL
dc.subjectCurrent Discourse Spacepl_PL
dc.subjectHorace Walpolepl_PL
dc.subjectThe Castle of Otrantopl_PL
dc.titleA Cognitive Poetic Approach to Paratext: Horace Walpole’s Prefaces to The Castle of Otranto. A Gothic Storypl_PL
dc.typeArticlepl_PL
dc.page.number55-70pl_PL
dc.contributor.authorAffiliationUniwersytet Marii Curie-Skłodowskiejpl_PL
dc.identifier.eissn2451-0335
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dc.identifier.doi10.26485/ZRL/2018/61.4/4
dc.relation.volume61pl_PL
dc.disciplineliteraturoznawstwopl_PL


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