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Feminist Transgressions and Critical Dys-u-topian Drama: Ann Jellicoe, Bryony Lavery and Germaine Greer

dc.contributor.authorLorek-Jezińska, Edyta
dc.contributor.editorOstalska, Katarzyna
dc.contributor.editorFisiak, Tomasz
dc.date.accessioned2022-10-20T16:41:14Z
dc.date.available2022-10-20T16:41:14Z
dc.date.issued2020
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43822
dc.description.abstractReferring to the discussion on the critical potential of dystopias in fiction, the article examines twentieth century feminist plays by Ann Jellicoe, Bryony Lavery and Germaine Greer for their presentation and critical deconstruction of gender roles, social structures and power relations. In the plays discussed in the article the critical and transgressive strategies used by the playwrights question the possibility of separating utopias and dystopias, showing how they are linked to and dependent on each other. Refusing to provide neat endings and definitions, the plays open up to contradictory readings by mixing the elements of dystopia and utopia and inviting critical and self-reflexive interpretations directing the critique of the past and the future towards the present.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;1
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectcritical dystopiapl_PL
dc.subjectfeminist dramapl_PL
dc.subjecttransgressionpl_PL
dc.subjectgender reversalpl_PL
dc.titleFeminist Transgressions and Critical Dys-u-topian Drama: Ann Jellicoe, Bryony Lavery and Germaine Greerpl_PL
dc.typeArticlepl_PL
dc.page.number99-109pl_PL
dc.contributor.authorAffiliationNicolaus Copernicus University in Toruń, Institute of Literary Studies, Department of Anglophone Literary, Cultural and Comparative Studiespl_PL
dc.identifier.eissn2451-0335
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dc.referencesJellicoe Ann (1969), The Rising Generation [in:] Playbill Two, ed. Durband A., Hutchinson Educational, London.pl_PL
dc.referencesKeyssar Helene (1993), Feminist Theatre: An Introduction to Plays of Contemporary British and American Women, MacMillan, Basingstoke.pl_PL
dc.referencesLavery Bryony (2005a), Interviewed by Lizbeth Goodman [in:] Feminist Stages: Interviews with Women in Contemporary British Theatre, eds. Goodman L., Gay J. de, Routledge, London.pl_PL
dc.referencesLavery Bryony (2005b), Afterword: ‘Guerillas in the Mist’: Sightings of, and Observations on, Feminists in Brit¬ish Theatre [in:] Feminist Stages: Interviews with Women in Contemporary British Theatre, eds. Goodman L., Gay J. de, Routledge, London.pl_PL
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dc.referencesLorek-Jezińska Edyta (2005), Between the generic he and the generic she: the cultural re-definition of gender polarity in Ann Jellicoe’s “The rising generation” [in:] S/he...embracing/wrestling genders: cultural spaces for a re-definition of the political, eds. Pantuchowicz A., Rachwał T., Wydawnictwo ATH, Bielsko-Biała.pl_PL
dc.referencesLorek-Jezińska Edyta (2009), Burial, Excavation and Cannibalism: The Body’s Discursivity in Bryony Lavery’s Dra¬ma [in:] The Body, eds. Dobosiewicz I., Gutorow J., Opole UP, Opole.pl_PL
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dc.identifier.doi10.26485/ZRL/2020/63.1/8
dc.relation.volume63pl_PL
dc.disciplinenauki o kulturze i religiipl_PL
dc.disciplinenauki o sztucepl_PL


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