| dc.contributor.author | Szot, Barbara | |
| dc.date.accessioned | 2022-12-29T17:32:13Z | |
| dc.date.available | 2022-12-29T17:32:13Z | |
| dc.date.issued | 2017 | |
| dc.identifier.issn | 0084-4446 | |
| dc.identifier.uri | http://hdl.handle.net/11089/44960 | |
| dc.description.abstract | Flann O’Brien in The Poor Mouth and Alasdair Gray in Poor Things use parody (of Gaeltacht
memoirs and Gothic fiction respectively) to join in a discussion on literary representations
of their homelands (Ireland and Scotland). This paper discusses the subversive play on
the reader’s expectations regarding literary representation of places driven by previous
knowledge of the parodied genre’s conventions which the two authors use to pinpoint the
inadequacy of the hitherto existing literary tradition. | pl_PL |
| dc.description.sponsorship | This article was written within the project IGA_FF_2016_058, financed from the budget provided
in 2016 by the Ministry of Education, Youth and Sports of the Czech Republic to Palacký University
Olomouc to support specific research activities at the university. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Łódzkie Towarzystwo Naukowe | pl_PL |
| dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;2 | |
| dc.subject | representation of place | pl_PL |
| dc.subject | parody | pl_PL |
| dc.subject | intertextuality | pl_PL |
| dc.title | Parodied Locations: A Play on Genre Conventions and Place in Flann O’Brien’s The Poor Mouth and Alasdair Gray’s Poor Things | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 99-112 | pl_PL |
| dc.contributor.authorAffiliation | Univerzity Palackého, Filozofická fakulta, Katedra anglistiky a amerikanistiky | pl_PL |
| dc.identifier.eissn | 2451-0335 | |
| dc.references | Bigsby Christopher W.E. (2006), Gothic [in:] this, The Routledge Dictionary of Literary Terms, Routledge, Oxon–New York. | pl_PL |
| dc.references | Brooker Joseph (2005), Flann O’Brien, Northcote House, Tavistock. | pl_PL |
| dc.references | Clissmann Anne (1975), Flann O’Brien: A Critical Introduction to His Writings, Gill and Macmillan, London. | pl_PL |
| dc.references | Cuddon John A. (2013), Gothic Novel/Fiction [in:] this, A Dictionary of Literary Terms and Literary Theory, Wiley-Blackwell, Chichester. | pl_PL |
| dc.references | Dentith Simon (2000), Parody, Routledge, London–New York. | pl_PL |
| dc.references | Farnon Jane (1997), Motifs of Gaelic Lore and Literature in An Béal Bocht [in:] Conjuring Complexities: Essays on Flann O’Brien, eds. A. Clune, T. Hurson, The Institute of Irish Studies, Belfast. | pl_PL |
| dc.references | Genette Gérard (1997), Palimpsests: Literature in the Second Degree, trans. C. Newman, C. Doubinsky, University of Nebraska Press, Lincoln–London. | pl_PL |
| dc.references | Gifford Douglas (2002), Scottish Fiction since 1945 II: Despair, Change and Hope [in:] Scottish Literature: In English And Scots, eds. D. Gifford, S. Dunnigan, A. MacGillivray, Edinburgh UP, Edinburgh. | pl_PL |
| dc.references | Gray Alasdair (1985), Lanark: A Life in Four Books, Panther, London. | pl_PL |
| dc.references | Gray Alasdair (1993), Poor Things: Episodes from the Early Life of Archibald McCandless M.D., Scottish Public Health Officer, Penguin, London. | pl_PL |
| dc.references | Hodrová Daniela (1997), Paměť a proměny míst: Na okraj tematologie a topologie [in:] Poetika míst: kapitoly z literární tematologie, ed. D. Hodrová, H & H, Praha. | pl_PL |
| dc.references | Hutcheon Linda (1985), A Theory of Parody: The Teachings of Twentieth-Century Art Forms, Methuen, New York. | pl_PL |
| dc.references | Kaczvinsky Donald P. (2001), “Making up for Lost Time”: Scotland, Stories, and the Self in Alasdair Gray’s “PoorThings”, “Contemporary Literature” 42.4. | pl_PL |
| dc.references | MacLean Robert, Trinity College Image: Search for the Holy Grail?, “University of Glasgow Library” Web. 2 October 2012, https://universityofglasgowlibrary.wordpress.com/2012/10/02/trinitycollege- image-search-for-the-holy-grail/ [access: 25.02.2017]. | pl_PL |
| dc.references | March Cristie (2002), Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque, “Critique: Studies In Contemporary Fiction” 43.4. | pl_PL |
| dc.references | McIlvanney Liam, The Glasgow Novel [in:] The Cambridge Companion to Scottish Literature, eds. G. Carruthers, L. McIlvanney, Cambridge UP. | pl_PL |
| dc.references | Murphy Neil (2014), Myles Na gCopaleen, Flann O’Brien and An Béal Bocht: Intertextuality and Aesthetic Play [in:] Flann O’Brien: Contesting Legacies, eds. W. Huber, R. Borg, P. Fagan, Cork UP, Cork. | pl_PL |
| dc.references | Ó Crohan Tomás (1978), The Islandman, trans. R. Flower, Oxford UP, Oxford, New York. | pl_PL |
| dc.references | O’Brien Flann (2007), The Poor Mouth [in:] The Complete Novels, F. O’Brien, trans. P. Power, Alfred A. Knopf, New York. | pl_PL |
| dc.references | O’Brien Flann (2013), The Tale of Black Peter [in:] The Short Fiction of Flann O’Brien, eds. K. Hopper, N. Murphy, trans. J. Fennell, Dalkey Archive Press, Champaign. | pl_PL |
| dc.references | Riach Alan (2014), The Literary Vision or How to Make Things Seen [in:] Alasdair Gray: Ink for Worlds, ed. C. Manfredi, Palgrave Macmillan. Basingstoke. | pl_PL |
| dc.references | Stirling Kirsten (2008), Bella Caledonia: Woman, Nation, Text, Rodopi, Amsterdam. | pl_PL |
| dc.references | Taaffe Carol (2008), Ireland Through the Looking-Glass: Flann O’Brien, Myles Na gCopaleen and Irish Cultural Debate, Cork UP, Cork. | pl_PL |
| dc.relation.volume | 60 | pl_PL |
| dc.discipline | literaturoznawstwo | pl_PL |
