Ruch jako podstawa materializacji cyfrowej poezji konkretnej
Streszczenie
Concrete poetry is concerned purely with language. This poetry disregards syntax and
meaning in order to explore the relationships between literal characters. In the 60’s Max
Bense, a philosopher, theorist and the creator of concrete poetry, posited the idea of
using the computer in art. Artists started to use the computer to generate digital concrete
poetry. The digital version characterizes movement and interaction. The movement
uncovers hidden layers, subtexts and reveals different correlations between literal characters.
The movement visualizes the way of perceiving and understanding the work.
Max Bense used the category of connection in order to describe the multilayers found
in concrete poetry. I refer to this category in order to present kinetic digital concrete
poetry. I will describe a variety of compositional strategies, which concentrates solely
on language. I will highlight the different digital poetry genres in which the features of
concrete poetry are realized.
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