dc.contributor.author | Kwiatkowska, Agnieszka | |
dc.date.accessioned | 2023-02-20T16:34:42Z | |
dc.date.available | 2023-02-20T16:34:42Z | |
dc.date.issued | 2016 | |
dc.identifier.issn | 0084-4446 | |
dc.identifier.uri | http://hdl.handle.net/11089/46061 | |
dc.description.abstract | This article reviews the various ways in which Julian Przyboś dealt with genre conventions
in his poetry. He used old forms of prose poetry, reworked the convention of hymn, ode
and sonnet, wrote lullabies and rhymes, and, as one of the first poetry writers, brought the
non-literary genres into poetry (letter, menu, postcard, note). Przyboś is also a prolific author
of articles published in periodicals, prefaces and afterwords in books by other authors, or
texts included in joint publications, many of which were forgotten or scattered. Through
recalling these mostly concise publications a fuller reconstruction of Przyboś’s attitude to
genre conventions is enabled and helps to track the generic evolution of the avant-garde
poet. Also, a new perspective is provided by reviewing the poet’s home archive, which has
been kept by his wife thus far. The poet paid attention to form consciously constructed
structure to his compositions, with precision and scrupulousness, forming complex, though
apparently simple constructions. The hesitation accompanying the classification of some of
the notes only confirms the innovative character of his poetry, putting forward new forms,
which undertake the game with tradition and exploit the richness of modern Polish. | pl_PL |
dc.description.sponsorship | This publication is financed by The Ministry of Science and Higher Education — National Programme
for the Development of Humanities for the years 2015−2018. 0059/NPRH4?H1b/83/2015, Julian
Przyboś — edycja tekstów rozproszonych i niepublikowanych. | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | Łódzkie Towarzystwo Naukowe | pl_PL |
dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;1 | |
dc.subject | home archive | pl_PL |
dc.subject | avant-garde | pl_PL |
dc.subject | literary genres | pl_PL |
dc.subject | Julian Przyboś | pl_PL |
dc.title | Julian Przyboś and the Literary Genres | pl_PL |
dc.type | Article | pl_PL |
dc.page.number | 37-46 | pl_PL |
dc.contributor.authorAffiliation | Uniwersytet im. Adama Mickiewicza w Poznaniu, Wydział Filologii Polskiej i Klasycznej, Zakład Literatury XX Wieku, Teorii Literatury i Sztuki Przekładu | pl_PL |
dc.identifier.eissn | 2451-0335 | |
dc.references | Balbus Stanisław (2000), Zagłada gatunków [in:] Genologia dzisiaj, eds. W. Bolecki, I. Opacki, Wydawnictwo IBL, Warszawa. | pl_PL |
dc.references | Balcerzan Edward (1972), Sytuacja gatunków [in:] E. Balcerzan, Przez znaki, Wydawnictwo Poznańskie, Poznań. | pl_PL |
dc.references | Cudak Roman (2000), Sytuacja gatunków we współczesnej poezji polskiej a perspektywy genologii [in:] Genologia i konteksty, ed. C. Dutka, Wyższa Szkoła Pedagogiczna im. Tadeusza Kotarbińskiego, Zielona Góra. | pl_PL |
dc.references | Kwiatkowska Agnieszka (2011), Tradycja, rzecz osobista. Julian Przyboś wobec dziedzictwa poezji, Wydawnictwo Naukowe UAM, Poznań | pl_PL |
dc.references | Kwiatkowska Agnieszka (2015), Wiersze w wiciokrzewie. O gatunkach literackich w poezji Juliana Przybosia [in:] Zamieranie gatunku, M. Ładoń, G. Olszański, Wydawnictwo Uniwersytetu Śląskiego, Katowice. | pl_PL |
dc.references | Marciniak Hanna (2009), Inwencje i repetycje. Formy doświadczenia poetyckiego w twórczości Juliana Przybosia, Universitas, Kraków. | pl_PL |
dc.references | Zgorzelski Czesław (1975), Perspektywy genologii w poznawaniu poezji współczesnej, “Teksty” no. 1. | pl_PL |
dc.relation.volume | 59 | pl_PL |
dc.contributor.translator | Sempowicz-Kalczyńska, Alicja | |
dc.discipline | literaturoznawstwo | pl_PL |