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dc.contributor.authorPrzedpełski, Radek
dc.date.accessioned2023-12-29T17:36:30Z
dc.date.available2023-12-29T17:36:30Z
dc.date.issued2023-12-20
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/48975
dc.description.abstractThe article considers Matthew Barney’s artistic project Redoubt (2016–21) from the point of view of Gilbert Simondon’s transductive philosophy of individuation. Informed by Simondon—read here with Félix Guattari, Gilles Deleuze and Yuk Hui—the article performs a case study of Barney’s long-term, expansive and multi-layered project. Redoubt comprises a feature-length film, metal reliefs, and large-scale sculptures, as well as an intermedial performance. The article focuses on the mythological theme of the Cosmic Hunt deployed in Barney’s eponymous feature film as well as on his experimental artistic process entailing cast metals. The goal of the article is to provide a diagram of the functioning of Barney’s complex conception of metamorphosis, which plays itself out on many—heterogenous, yet ultimately entangled—orders of magnitude. Consideration will also be given to the political and decolonial implications of Barney’s artistic proposal, which liberate the notion of the hunt from its takeover by colonial extractivism in order to reveal it as an intensive capture of forces.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;13en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectMatthew Barneyen
dc.subjecttransductionen
dc.subjectSimondonen
dc.subjectelectroplatingen
dc.subjectCosmic Hunten
dc.subjectbecoming-cosmicen
dc.titleCosmic Hunt, Copper Electroplating, Chaosmic Transduction: Chaosmotechnics of Molecular Collaboration in Matthew Barney’s Redoubt Project (2016–21)en
dc.typeArticle
dc.page.number231-256
dc.contributor.authorAffiliationTrinity College Dublinen
dc.identifier.eissn2084-574X
dc.referencesBarney, Matthew. “Matthew Barney on His Redoubt Exhibition at Hayward Gallery.” YouTube, uploaded by Southbank Centre, 24 June 2021, https://www.youtube.com/watch?v=Ad7QvjPlYCM accessed 21 July 2023.en
dc.referencesBarney, Matthew, and Jonathan Bepler. “Catasterism in Three Movements.” Performance Program, 22–25 Sept. 2021, commissioned by Laurenzen
dc.referencesFoundation, Basel, Switzerland, https://schaulager.org/en/file/2377/158f7971/PFile_EN_MB_Program_Catasterism_2021_09_16.pdf accessed 21 July 2023.en
dc.referencesBarney, Matthew, et al. Matthew Barney: Redoubt. Exhibition catalogue. Yale UP, 2019. https://artgallery.yale.edu/sites/default/files/publication/pdfs/ag-doc-2196-0003-doc.pdf accessed 21 July 2023.en
dc.referencesBluemink, Matt. “On Psychic and Collective Individuation: From Simondon to Stiegler.” Epoché, vol. 40, 2021, https://epochemagazine.org/40/on-psychic-and-collective-individuation-from-simondon-to-stiegler/ accessed 21 July 2023.en
dc.referencesd’Huy, Julien. “The Evolution of Myths.” Scientific American, vol. 315, no. 6, 2016, pp. 62–69. https://doi.org/10.1038/scientificamerican1216-62en
dc.referencesDeleuze, Gilles. Difference and Repetition. Translated by Paul Patton, Columbia UP, 1994.en
dc.referencesDeleuze, Gilles. Francis Bacon: The Logic of Sensation. Translated by Daniel W. Smith, Continuum, 2003.en
dc.referencesDeleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi, U of Minnesota P, 2005.en
dc.referencesDeleuze, Gilles, and Félix Guattari. What Is Philosophy? Translated by Hugh Tomlinson and Graham Burchell, Columbia UP, 1994.en
dc.referencesFranks, Pamela. Introduction. Matthew Barney: Redoubt, exhibition catalogue, Yale UP, 2019, pp. 11–19.en
dc.referencesGuattari, Félix. The Anti-Œdipus Papers. Edited by Stéphane Nadaud, translated by Kélina Gotman, Semiotext(e), 2006.en
dc.referencesHodermarsky, Elisabeth. “The Dynamo and the Virgin: The Electrocoppered Plates of Redoubt.” Matthew Barney: Redoubt, exhibition catalogue, Yale UP, 2019, pp. 139–53.en
dc.referencesHui, Yuk. “On Cosmotechnics: For a Renewed Relation between Technology and Nature in the Anthropocene.” Techné: Research in Philosophy and Technology, vol. 21, no. 2–3, 2017, pp. 1–23. https://doi.org/10.5840/techne201711876en
dc.referencesHui, Yuk. Recursivity and Contingency. Rowman & Littlefield, 2019.en
dc.referencesHuttenlauch, Eva. “Joseph Beuys: zeige deine Wunde / show your Wound.” Joseph Beuys. zeige deine Wunde / show your Wound, edited by Eva Huttenlauch and Matthias Mühling, Edition Lenbachhaus, 2021, pp. 59–81.en
dc.referencesLamouche, Sandra. “Infinite Wisdom of the Hoop Dance.” Sandra Lamouche, 2018, http://www.sandralamouche.com/blog/infinite-wisdom-of-the-hoop-dance accessed 21 July 2023.en
dc.referencesMarks, Laura U. “Talisman-Images: From the Cosmos to Your Body.” Deleuze, Guattari and the Art of Multiplicity, edited by Radek Przedpełski and S. E. Wilmer, Edinburgh UP, 2020, pp. 231–59. https://doi.org/10.1515/9781474457675-011en
dc.referencesMarks, Laura U. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Duke UP, 2000en
dc.referencesOvid. The Metamorphoses of Ovid. Translated by Michael Simpson, U of Massachusetts P, 2001.en
dc.referencesPrzedpełski, Radek. “Chaosmotechnics? Art, Media, Techniques, after Deleuze and Guattari.” Symposium brief, The Trinity Long Room Hub Arts and Humanities Institute, Trinity College Dublin. Trinity College Dublin, 3 Feb. 2023, https://www.tcd.ie/trinitylongroomhub/whats-on/details/event.php?eventid=164200824 accessed 21 July 2023.en
dc.referencesPrzedpełski, Radek. “Steppe C(ha)osmotechnics: Art as Engineering of Forces in Marek Konieczny and Beyond.” Deleuze, Guattari and the Art of Multiplicity, edited by Radek Przedpełski and S. E. Wilmer, Edinburgh UP, 2020, pp. 113–53. https://doi.org/10.1515/9781474457675-011en
dc.referencesSchaulager. “Catasterism in Three Movements Matthew Barney | Jonathan Bepler 22–25 September 2021.” Press release. Schaulager, 2021, https://schaulager.org/en/exhibitions/previous/catasterism-performance accessed 21 July 2023.en
dc.referencesSimondon, Gilbert. Individuation in Light of Notions of Form and Information. Translated by Taylor Adkins, U of Minnesota P, 2020.en
dc.referencesSimondon, Gilbert. “Les grands courants de la philosophie française contemporaine (1962–1963).” Sur la philosophie 1950–1980, PUF, 2016, pp. 168–96.en
dc.referencesSimondon, Gilbert. On the Mode of Existence of Technical Objects. Translated by Cécile Malaspina and John Rogove, Univocal, 2017.en
dc.referencesUCCA Centre for Contemporary Art. “Matthew Barney: Redoubt 2019.9.28–2020.1.12.” Exhibition information, UCCA, 2019, https://ucca.org.cn/en/exhibition/matthew-barney-redoubt/ accessed 21 July 2023.en
dc.contributor.authorEmailprzedper@tcd.ie
dc.identifier.doi10.18778/2083-2931.13.13


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