dc.contributor.author | Prykowska-Michalak, Karolina | |
dc.contributor.author | Grabarczyk, Izabela | |
dc.date.accessioned | 2023-12-29T17:36:31Z | |
dc.date.available | 2023-12-29T17:36:31Z | |
dc.date.issued | 2023-12-20 | |
dc.identifier.issn | 2083-2931 | |
dc.identifier.uri | http://hdl.handle.net/11089/48978 | |
dc.description.abstract | Issues of migration writing (see Kosmalska) and migrant theatre have recently gained prominence, leading to an increase in research focused on analyzing the theatrical works of artists with a migrant background. This phenomenon is part of a broader trend in intercultural and, often, postcolonial studies. Contemporary Polish migrant theatre is a subject that has not been thoroughly explored yet. Among many methods applied in the study of migrant theatre, intercultural studies or the so-called new interculturalism take the lead. These concepts draw on bilingualism or multilingualism practices, which are slowly taking a more significant role in migrant theatre studies. This article analyzes two theatre plays staged by Polish migrants in Ireland and in the United Kingdom in the context of linguistic practices that exemplify and help define the concept of transnational drama. | en |
dc.language.iso | en | |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
dc.relation.ispartofseries | Text Matters: A Journal of Literature, Theory and Culture;13 | en |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
dc.subject | bilingualism | en |
dc.subject | multilingualism | en |
dc.subject | migrant theatre | en |
dc.subject | intercultural theatre | en |
dc.title | “English with a Polish Accent and a Slight Touch of Irish”: Multilingualism in Polish Migrant Theatre | en |
dc.type | Article | |
dc.page.number | 298-316 | |
dc.contributor.authorAffiliation | Prykowska-Michalak, Karolina - University of Lodz | en |
dc.contributor.authorAffiliation | Grabarczyk, Izabela - University of Lodz | en |
dc.identifier.eissn | 2084-574X | |
dc.references | Borkowska, Grażyna. “Perspektywa postkolonialna na gruncie polskim—pytania sceptyka.” Teksty Drugie, vol. 5, 2010, pp. 40–52. | en |
dc.references | Compendium of Cultural Policies and Trends in Europe. Council of Europe, https://www.coe.int/en/web/culture-and-heritage/compendium accessed 30 June 2023. | en |
dc.references | Conrad, Sebastian. German Colonialism: A Short History. Cambridge UP, 2011. https://doi.org/10.1017/CBO9781139030618 | en |
dc.references | Domaradzka, Nastazja, director. Dziady/Forefather’s Eve. Dramaturgy by Kasia Lech, 2021. YouTube, uploaded by Almeida Theatre, 27 July 2021, https://www.youtube.com/watch?v=CGU0XTE6JmA accessed 20 Apr. 2022. | en |
dc.references | Duelund, Peter. “Nordic Cultural Policies: A Critical View.” International Journal of Cultural Policy, vol. 14, no. 1, 2008, pp. 7–24. https://doi.org/10.1080/10286630701856468 | en |
dc.references | Ernst, Wolf-Dieter. “Performance und Kollektivität in der Netzwerkökono-mie.” Ökonomie im Theater der Gegenwart. Ästhetik, Produktion, Institution, edited by Franziska Schößler and Christine Bähr, Transcript Verlag, 2009, pp. 57–70. https://doi.org/10.1515/9783839410608-004 | en |
dc.references | Fischer-Lichte, Erika. “Introduction: Interweaving Performance Cultures: Re-thinking ‘Intercultural Theatre’ Towards an Experience and Theory of Performance beyond Postcolonialism.” The Politics of Interweaving Performance Cultures: Beyond Postcolonialism, edited by Erika Fischer-Lichte, Torten Jost and Saskia Iris Jain, Routledge, 2014, pp. 1–21. https://doi.org/10.4324/9781315858142 | en |
dc.references | Fischer-Lichte, Erika, and Rustom Bharucha. “Dialogue: Erika Fischer-Lichte and Rustom Bharucha.” Textures, 6 Aug. 2011, https://www.textures-archiv.geisteswissenschaften.fu-berlin.de/wp-content/uploads/2011/08/Dialogue_Fischer-Lichte_and_Bharucha_pdf.pdf accessed 2 July 2023. | en |
dc.references | Grossman, Elwira M. “Dwu(wielo)języczny teatr w zglobalizowanym kontekście brytyjskim, czyli o różnych stylach dramatu migracyjno-transkulturowego.” Teksty Drugie, vol. 3, 2016, pp. 60–80. https://doi.org/10.18318/td.2016.3.4 | en |
dc.references | Grossman, Elwira M. “Staging Polish Migration in Transcultural Drama: The Question of Multiple Language Use in Great Britain’s Theatre.” Teksty Drugie, vol. 1, 2018, pp. 24–42. DOI:10.18318/td.2018.en.1.3 | en |
dc.references | Hadley, Steven. Audience Development and Cultural Policy. Palgrave Macmillan, 2021. https://doi.org/10.1007/978-3-030-62970-0 | en |
dc.references | Holewińska, Julia. Rewolucja Balonowa/Bubble Revolution. Translated by Artur Zapałowski with edits and changes by Kasia Lech and John Currivan, 2013. Unpublished video. | en |
dc.references | Kiec, Izolda, Dobrochna Ratajczakowa, and Jacek Wachowski, editors. Teatr i dramat polskiej emigracji 1939–1989. (Theatre and Drama of Polish Emigration 1939–1989.) Acarus, 1994. | en |
dc.references | Knowles, Ric. “Multicultural Text, Intercultural Performance: The Performance Ecology of Contemporary Toronto.” Performance and the City, edited by Ric Knowles, Palgrave Macmillan, 2009, pp. 73–91. https://doi.org/10.1007/978-0-230-30521-2_5 | en |
dc.references | Knowles, Ric. Theatre & Interculturalism. Palgrave Macmillan, 2010. https://doi.org/10.1007/978-1-137-01424-5 | en |
dc.references | Koczanowicz, Leszek. “Post-postkomunizm a kulturowe wojny.” Teksty Drugie, vol. 5, 2010, pp. 9–21. | en |
dc.references | Kołodziejczyk, Dorota. “Postkolonialny transfer na Europę Środkowo-Wschodnią.” Teksty Drugie, vol. 5, 2010, pp. 22–39. | en |
dc.references | Kosiński, Dariusz, and Emil Orzechowski. “Teatr polski poza krajem.” Encyklopedia kultury polskiej XX wieku. Teatr. Widowisko, edited by Marta Fik, Instytut Kultury, 2000, pp. 95–62. | en |
dc.references | Kosmalska, Joanna. “Defining Migration Writing.” Journal of Literary Theory, vol. 6, 2022, pp. 331–50. https://doi.org/10.1515/jlt-2022-2028 | en |
dc.references | Lech, Kasia. “Domesticating and Foreignising Strategies as Part of the Actor’s Performance in the Irish-Polish Production of Bubble Revolution.” Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre, edited by Yana Meerzon and Katharina Pewny, Routledge, 2020, pp. 42–54. | en |
dc.references | Lech, Kasia. Personal communication via Zoom. 7 Mar. 2022. | en |
dc.references | Lei, Daphne P. “Interruption, Intervention, Interculturalism: Robert Wilson’s HIT Productions in Taiwan.” Theatre Journal, vol. 61, no. 4, 2011, pp. 571–86. https://doi.org/10.1353/tj.2011.0118 | en |
dc.references | McIvor, Charlotte. “Introduction: New Directions?” Interculturalism and Performance Now: New Directions?, edited by Charlotte McIvor and Jason King, Palgrave Macmillan, 2019, pp. 1–26. https://doi.org/10.1007/978-3-030-02704-9 | en |
dc.references | McIvor, Charlotte. “Staging the ‘New Irish’: Interculturalism and the Future of the Post-Celtic Tiger Irish Theatre.” Modern Drama, vol. 54, no. 3, 2011, pp. 310–32. https://doi.org/10.3138/md.54.3.310 | en |
dc.references | Mickiewicz, Adam. Dziady. (Forefather’s Eve.) Translated by Charles S. Kraszewski, GLAGOSLAV, 2016. | en |
dc.references | Meerzon, Yana, and Katharina Pewny. “Introduction. Dramaturgy of Self: Language, Authorship, Migration.” Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre, edited by Yana Meerzon and Katharina Pewny, Routledge, 2020, pp. 13–16. https://doi.org/10.4324/9781351270267 | en |
dc.references | Meerzon, Yana, and Katharina Pewny. “Introduction: Migration and Multilingualism.” Modern Drama, vol. 61, no. 3, 2018, pp. 257–70. https://doi.org/10.3138/md.61.3.01 | en |
dc.references | Pavis, Patrice, editor. The Intercultural Performance Reader. Routledge, 1996. | en |
dc.references | Polish Theatre Ireland. Polish Theatre, https://polishtheatre.wordpress.com/current-project/ accessed 30 Mar. 2023. | en |
dc.references | Ratajczakowa, Dobrochna. “Wprowadzenie.” Teatr i dramat polskiej emigracji 1939−1989, edited by Izolda Kiec, Dobrochna Ratajczakowa and Jacek Wachowski, Acarus, 1994, pp. 7–9. | en |
dc.references | Świąder-Puchowska, Barbara. “Prywatyzacja emocji. Teatr polski po roku 1989.” (“Privatization of Emotions. Polish Theatre after 1989.”) Dialog, vol. 6, no. 751, 2019. Dialog, June 2019, https://www.dialog-pismo.pl/w-numerach/prywatyzacja-emocji-teatr-polski-po-roku-1989 accessed 24 Apr. 2022. | en |
dc.references | Taco Hemingway. “Polskie Tango.” (“Polish Tango.”) Jarmark. Taco Corp, 2020. | en |
dc.references | Thompson, Ewa. “A jednak kolonializm. Uwagi epistemologiczne.” Teksty Drugie, vol. 6, 2011, pp. 289–302. | en |
dc.references | Thompson, Ewa. “Whose Discourse? Telling the Story in Post-Communist Poland.” The Other Shore, vol. 1, 2010, pp. 1–15. | en |
dc.contributor.authorEmail | Prykowska-Michalak, Karolina - karolina.prykowska@uni.lodz.pl | |
dc.contributor.authorEmail | Grabarczyk, Izabela - izabela.grabarczyk@uni.lodz.pl | |
dc.identifier.doi | 10.18778/2083-2931.13.16 | |