Modele krytyki filmowej wobec przemian dyskursu krytycznofilmowego w Polsce

Abstract

The subject of this dissertation is the theoretical distinguishing of film critics' activity strategies in the form of their specific typology. The goal of the dissertation is also to identify the differences between film criticism and other related activities, such as film reviewing, and to verify whether there is a golden age (period) of film criticism in Poland. To study the issues mentioned above, mainly the statements of the representatives of the critics' community themselves (from the time of its formation to the present day) have been used. The study contains an introduction, eight chapters, and a conclusion.