Show simple item record

dc.contributor.authorTytarenko, Olena
dc.date.accessioned2025-11-25T14:49:07Z
dc.date.available2025-11-25T14:49:07Z
dc.date.issued2025-06-30
dc.identifier.issn3071-7779
dc.identifier.urihttp://hdl.handle.net/11089/56771
dc.description.abstractSoviet documentary and fiction cinema of World War II and the first postwar years created several images related to Donbas. This region had played a significant role in Soviet socio-political discourse since prewar times. The article focuses on the peculiarities of the representation of Nazi crimes in Donbas. The author analyses the main fiction and documentary films that feature episodes of crimes committed during the German occupation, describes their historical context, and characterises the degree of influence these scenes had on the population. It is noted that the subject of Nazi crimes in Donbas first appears in the visual images of the destruction of industrial and social infrastructure caused by the Nazis. The issue of the murder of the population of the occupied territories is explored in documentaries related to the central site of mass crimes — the 4–4 bis mine in Stalino (today Donetsk).Fiction cinema dedicated to the topic of the wartime Donbas is represented by the films The Unconquered (Nepokorennyye), It Happened in Donbas (Eto bylo v Donbasse), The Young Guard (Molodaya gvardiya), and A Great Life (Bol’shaya zhizn’). The key focus is on the issues of the struggle against Nazism and post-war reconstruction. The films show the torture and murder of members of the anti-Nazi Resistance movement, including juveniles, the executions of Soviet prisoners of war, the deportation of civilians to Germany, and, for the first time in Soviet cinema, a scene of a mass execution of the Jewish population. Despite several historical inconsistencies, as the films were usually based on literary works, these films were very popular among the population that survived the occupation. Both abstract and concrete images of victims of the Nazi regime evoked allusions to their suffering caused by the war and occupation. The images of the wartime Donbas are still an important source for the perspective of reflecting the historical processes of the past and for studying the system of influence on the outlook and value coordinates of the population in different historical epochs.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesFaces of War;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectDonbasen
dc.subjectNazi crimesen
dc.subjectSoviet cinemaen
dc.subjectpropaganda discourseen
dc.subjectpublic consciousnessen
dc.titleRepresentation of the Nazi Crimes in Donbass in Soviet Documentary and Fictional Cinema (1943–1950)en
dc.typeArticle
dc.page.number91-101
dc.identifier.eissn3071-8597
dc.referencesCSAMLAU – Central State Archive and Museum of Literature and Arts of Ukraine. F. 690. Op. 4. Spr. 86.en
dc.referencesUSHMMA – United States Holocaust Memorial Museum Archives. RG 22.002.en
dc.referencesSARF – State Archive of the Russian Federation. Extraordinary State Commission to Investigate German-Fascist Crimes on Soviet Territory. F. R-7021. Op. 56. D. 681; Op. 71. D. 33.en
dc.referencesInterview with P. L.O., born in 1937. Interview conducted and recorded in Donetsk, 9 May 2016. Transcribed audio recording. (Archive of the Author)en
dc.referencesInterview with Sh. V.V., born in 1940. Interview conducted and recorded in Donetsk, 9 June 2016. Transcribed audio recording. (Archive of the Author)en
dc.referencesAnderson K.M., Maksimenkov L.V. (eds), 2005. Kremlevskij kinotear. Kremlevskij kinoteatr. 1928–1953. Moskva.en
dc.referencesAralovets N.A. et al. (eds), 2010. Narod i vojna. Narod i vojna: ocherki istorii Velikoj Otechestvennoj vojny 1941–1945gg. Moskva.en
dc.referencesBerkhoff K. 2012. Motherland in danger: Soviet propaganda during World War II. Cambridge.en
dc.referencesBerkhoff K. 2023. Babyn Yar in Cinema. In: V. Hryneych, P. Magocsi (eds), Babyn Yar: history and memory, 327–350.en
dc.referencesBol’shakov I. 1950. Sovet·skoye kinoiskusstvo v gody Velikoy Otechestvennoy voyny. Moskva.en
dc.referencesBorovikova V.N., Grigorenko I.I., Potapov V.I. (eds), Molodaya Gvardiya 1970. Molodaya Gvardiya. Dokumenty i vospominaniya o geroicheskoj bor’be podpol’shchikov Krasnodona v dni vremennoj fashistskoj okkupacii. Iyul’ 1942 – fevral’ 1943 gg. Donetsk.en
dc.referencesDonabas 1946. Dokumental’nyy film “Donbassˮ. 1946 g. https://ok.ru/video/2406571575850 Available online: 22 November 2024.en
dc.referencesEngel C. 1999. Geschichte des sowjetischen und russischen Films. Stuttgart.en
dc.referencesForum-obsuzhdeniye kinofil’ma Eto bylo v Donbasse. http://www.kino-teatr.ru/kino/movie/sov/8102/forum/#1124888. Available online: 15 October 2023.en
dc.referencesGalanov B., Karaganova S. (eds), 1982. Vospominaniya o Borise Gorbatove. Moskva.en
dc.referencesGromov E.S. 1998. Stalin: vlast’ i iskusstvo. Moskva.en
dc.referencesHicks J. 2012. First films of the Holocaust: Soviet cinema and the genocide of the Jews, 1938–1946. Pittsburg.en
dc.referencesHutchings S., Vernitski A. (eds), 2005. Russian and Soviet Films Adaptations of Literature. 1900–2001. London–New York.en
dc.referencesKenez P. 1992. Cinema and Soviet Society, 1917–1953. Cambridge.en
dc.referencesKornienko I.S. 1975. Kinoiskusstvo Sovetskoj Ukrainy. Stranicy istorii. Moskva.en
dc.referencesKruglov A.I. 2004. Hronika Holokosta v Ukraine. Zaporozh’ye.en
dc.referencesKulturne budivnytstvo v Ukrainskii RSR. Naivazhlyvishi rishennia Komunistychnoi partii i radianskoho uriadu. Zbirnyk dokumentiv 2: Червень 1941–1960. Kyiv 1961.en
dc.referencesLevchuk T.V. et al. (eds), 1987. Istorіya ukraїnskogo radyanskogo kіno: v trokh tomakh 2: (1931–1945). Kyiv.en
dc.referencesMikhaylov V.P., Fomin V.I. 2010. Cena kadra. Sovetskaya frontovaya kinohronika 1941–1945 gg. Dokumenty i svidetel’stva. Moskva.en
dc.referencesMolodaya gvardiya. Khudozhestvennyy film. Part 1: https://www.youtube.com/watch?v=JnFaGatqxQ0; Part 2: https://www.youtube.com/watch?v=4BoyS6jx2R4. Available online: 10 Novenber 2025.en
dc.referencesMusskiy I.A., 2007. 100 velikikh otechestvennykh kinofil’mov. Moskva.en
dc.referencesRoberts G. 1999. Forward Soviet! History and Non-fiction Film in the USSR. London–New York.en
dc.references“Sotsialisticheskiy Donbass” August 4, 1945; October 8, 1948; October 13, 1948.en
dc.referencesTaylor R. 1979. Film propaganda. Soviet Russia and Nazi Germany. New York.en
dc.referencesTitarenko D.N., Penter T. (eds), 2013. Opyt nacistskoj okkupacii. Opyt nacistskoj okkupacii v Donbasse: svidetel’stvuyut ochevidcy. Donetsk.en
dc.referencesTomberg V.E. 2003. V tylu i na fronte. Moskva.en
dc.referencesTytarenko O. 2017. Kulturne zhyttia na Donbasi u vidbudovchyi period. 1943–1953 rr. Dissertation for the degree of Candidate of Historical Sciences 07.00.01 – History of Ukraine. Dnipro.en
dc.referencesVaysfel’d I.V. 1983. Kino kak vid iskusstva. Moskva.en
dc.referencesZorkaya N. 2005. Vizual’nyye obrazy voyny. In: M. Gabovich (ed.), Pamyat’ o voyne 60 let spustya: Rossiya, Germaniya, Evropa. Moskva, 736–754.en
dc.contributor.authorEmailelena_titarenko2@ukr.net
dc.identifier.doi10.18778/3071-7779.2025.1.06


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

https://creativecommons.org/licenses/by-nc-nd/4.0
Except where otherwise noted, this item's license is described as https://creativecommons.org/licenses/by-nc-nd/4.0